Impermanence

As part of the Spiritual Directors International conference in Louisville, April 14-17, 2015, these monks from the Drepung Gomang Center for Engaging Compassion  and the Drepung Gomang Sacred Arts Tour created a sand mandala for the sake of wisdom, compassion, and healing.

 

The monks lean across lines and arcs

like the funnels they wield,

Tibetan Sand Mandala 1

as if tilting a column of sand

up the spine

to pour from a third eye.

 

The grains trickle in rivulets

between skeletal lines

penciled onto a blue field.

Tibetan Sand Mandala 2

This gold, this red,

in precisely this place—

the design takes flesh

in lavish detail.

Tibetan Sand Mandala 3

 

This work is prayer

begun with chant

from which the air yet hums.

Tibetan Chant Ritual

Ringing metal, rubbed like a firestarter,

sings as it coaxes sand

from the tiny mouth of a ribbed silver cone.

Tibetan Sand Mandala Detail

For days the sand pours,

Tibetan Sand Mandala 4

the chants rise,

Tibetan Sand Mandala Detail

the mandala widens.

Tibetan Sand Mandala Nearly Complete

 

Each morning a ritual:

with one hand the leader rings a bell,

with the other he holds a blade.

Tibetan Ritual Table

Beside the completed design

sits a white flower

in a silver bowl.

Tibetan Sand Mandala with Lotus

Atop the lotus of sand

in the mandala’s center,

the bowl becomes a mirror.

Now the blade, ever-present

through all the days of creation,

cuts from the points of the compass

to the center—

destruction from every direction.

Tibetan Sand Mandala Silver Bowl

A brush sweeps the careful work

into swirls of muddied color—

Sweeping Away the Sand Mandala

a heart-sob—

for all the careful tending vanished,


Sweeping the Sand Mandala

for every thing of beauty gone.

 

Tibetan Sand Mandala Brushed Away

 

 

 

Tibetan Monks in Headdress

 

Behind four monks clad in gold,

Tibetan Monks Walking to the Ohio River

a quiet crowd walks to the river.

As if in tribute,

four golden planes fly

in formation overhead.

Golden Eagles Flyover

 

Standing in the current,

the silver-haired leader

tilts a vessel,

Tibetan Ceremony Pouring Sand

yielding to the river

the sand,

the work,

the prayers,

the loss,

the acceptance.

Tibetan Monk at the River

The river carries this embodiment

of compassionate understanding

out into the world.

Tibetan Monks at the River

 

Returning,

the four walk with ease,

smiling, their shoulders relaxed,

Tibetan Monks

while I keep taking

photographs to keep.

Lotus After Sand Mandala Ceremony

 

Susan Christerson Brown

 

 

 

 

 

 

 

 

 

The Artist’s Way as Spiritual Exercises for All of Us

Over the past few weeks I’ve been immersed in The Artist’s Way, leading a group in the shared experience of reconnecting with our creative lives. Each week brings a different focus, but in general we practice making space in our days for things that bring true joy and delight. We learn, or relearn, to trust those sparks of life. They are the source of divine encouragement and inspiration.

2015-04-01 13.00.45

The Artist’s Way by Julia Cameron is presented as a program for people blocked in their creative work, but it is actually a spiritual practice that enhances the life and the work of anyone who wants to live more fully.  It offers a way of recovering the “something more” that we long for, which empowers us to bring creativity to our lives in all kinds of ways. It helps us open to new possibilities rather than remain in the constricted space that we long ago decided was safe.

In the sixteenth century Ignatius of Loyola developed The Spiritual Exercises, which the Jesuits (the order to which Pope Francis belongs) have used since then as a guide for spiritual formation. The exercises are grounded in the gospel stories, and are undertaken by those seeking a meaningful and even transformative spiritual experience. They can be the focus of an intense thirty-day retreat, or worked through by setting aside regular time in everyday life for a few weeks. If you’re interested in a simple version of the exercises, an excellent book is Moment by Moment: A Retreat in Everyday Life by Carol Ann Smith, SHCJ and Eugene FR. Merz, SJ.

I have come to see The Artist’s Way as a practice of comparable value. It marks the trail of an authentic spiritual journey, tailored for the culture in which we live. It is not a specifically Christian path, though it makes reference to ideas and occasionally quotations from the gospels. It is very much a God-centered path, inviting us to think of God and to find God in new ways. Working through the twelve weeks of The Artist’s Way is a transformative experience for many people, both within and outside of the church.

The readings and practices create an opening for the Spirit. The discipline of The Artist’s Way helps clear away the debris that covers over the clear spring of our creativity. We open ourselves to the flow of life, of energy, of creativity, of delight, of hope, of optimism, of generosity, of abundance, through taking on some simple practices. We gain a better sense of the spiritual path and the creative work that we are uniquely called to.  We allow what is most essential, most alive, most truly ourselves, to find an outlet in our lives.

But don’t take my word for it. Try it. Write out your answers to the questions this book poses. Take on the practices of morning pages and artist dates. See what happens. You don’t have to buy into new beliefs or set aside old ones—although you might find yourself considering new ideas. For an investment of thirty minutes to an hour a day to work through a chapter a week, you might find your life infused with new energy.

In my experience, and that of many others, The Artist’s Way can be an opening to the creative Spirit that hovers over the waters of Genesis. Its practices blow gently on the ember of the divine in each of us, and helps rekindle the creative fire at the heart of a life fully lived. Right now our group is finishing up Week 6, and I’m excited to see what emerges in the second half of the journey.