Clearing Space

A couple of days ago I noticed some interesting shadows in the evening light. The setting sun cast images of swaying trees and silhouettes of dancing leaves into the house. The most picturesque shadows were on the kitchen wall, below a board full of mementos. I set it up years ago to display children’s art work, but in more recent years it has held newspaper clippings, photos, and memorabilia from their activities. I wanted to get a picture of the light and shadow on the wall, but once I had my camera I realized there was too much clutter in the frame. Posters, newsprint, and a handkerchief hanging from the bottom of the board interfered with getting a good shot, so I quickly removed them before the light changed. I ended up with something kind of interesting:

I’ve been meaning to dismantle that board for over a year. Its role has passed. I’m still proud of my young adult children and their accomplishments, but it’s not about displays. The newspaper is yellowed, the medals are dusty, and the whole thing has been there, unchanged, for so long that no one even sees it any more. But the job I had been putting off—what do I do with all that stuff when I take it down, anyway?—is now underway.

It’s not an insurmountable job to remove the miscellany and open up the wall space, but it does mark the end of an era. Actually, the era has already ended and I’m just now catching up. The board was a simple and effective treatment for an abundance of artwork: a piece of matboard with clothespins glued to it, held on the wall with thumbtacks. It’s still in good shape. If you live nearby and need a way to display your children’s creativity, I’ll be happy to give it to you.

It feels odd to get rid of something that’s been part of the furniture for so many years. On the other hand, it will open up a lot of wall space. There’s something exhilarating about clearing out the old and making room for the new. I’ll enjoy the open space.

I wonder what will go there next.

The Seasonal Work of the Soul

Ecclesiastes is the source of a beautiful passage that has been on my mind in recent days:

For everything there is a season, and a time for every matter under heaven:

A time to be born, and a time to die;

A time to plant, and a time to pluck up what is planted;

A time to kill, and a time to heal;

A time to break down, and a time to build up;

A time to weep, and a time to laugh;

A time to mourn, and a time to dance;

A time to cast away stones, and a time to gather stones together;

A time to embrace, and a time to refrain from embracing;

A time to seek, and a time to lose;

A time to keep, and a time to throw away;

A time to tear, and a time to sew;

A time to keep silence, and a time to speak;

A time to love, and a time to hate;

A time for war, and a time for peace.

These words may sound familiar if you know Pete Seeger’s, “Turn, Turn, Turn” from the popular recording by the Byrds. The words set to music convey a beautiful sense of everything held safely by the author of life.

This passage is around 2500 years old, but it speaks timelessly. Its wisdom is in accepting the variety of circumstances and challenges that arise as life unfolds. It passes no judgment as to what is good and what is bad; what should be sought and what should be resisted. It’s a radical kind of acceptance that differs from resignation or passivity as a response. It’s about not wasting our energy in trying to deny how things really are.

No single approach is right all the time. Life is too changeable, its phases too fleeting. What’s required of us in one stage may be all wrong in another. It doesn’t mean we were wrong before or that life mistreats us when it requires something new. We spend years raising children who will leave to make lives of their own. We devote ourselves to careers that eventually come to an end. We expend ourselves on work that is all too soon forgotten. Yet life goes on. Perhaps we have always cast away stones, but we may be required to gather them together, regardless of how strange it feels. If we’ve spent our lives in silence, it may be time to speak, as uncomfortable as it may be.

We don’t make the seasons in which our lives unfold, and it is beyond our power to change the forces that are so much bigger than we are. Life flows through us, manifesting in different ways at different times. We try to respond to the needs of the season, giving ourselves over to what the time calls for.

Ecclesiastes consists of “The words of the Teacher.” The title given to the speaker is a translation of the Hebrew Qoheleth, which is sometimes rendered “Preacher.” The Teacher, or Preacher, reminds us throughout the book that everything changes, everyone dies. Nothing is permanent; no one is spared. The flow of time and seasons carries us in ways that are non-negotiable. Within our lives we make choices, but the context in which we live them is given.

The Teacher also knows that ultimately we can’t get ahead. We don’t beat our fellow players or the game. Life is bigger than we are; all we can do is live it. “Vanity of vanities,” laments the Teacher. “All is vanity.” Yet in spite of the frustrations and reversals that make up so much of our days, he sees that God grants the gift of enjoying life.

The Teacher of Ecclesiastes has more questions than answers, which is probably why I love the book. What he does know is that we are given work to do, and our best hope is to find enjoyment in it. Be humble. Be grateful. Do what we can. Fix what we can. Let go of what’s out of our hands. Accept both our lot in life and the gifts from God that allow us to take joy in it.

What kind of season are you living, and what kind of work does it hold?

Ordinary Time

The rush of wind and tongues of flame in the story of Pentecost are powerful symbols of transformation. The drama of the Christian story breaks into flame, and a bewildered body of believers is energized and empowered to become the church. It’s a moment of incredible intensity, but the story doesn’t end at that crescendo. In real life, it never does.

We celebrated Pentecost on Sunday, honoring the power and presence of the spirit in myriad manifestations then and now. But on Monday, the church simply entered the season of ordinary time.

Fire creates a drama that’s tough to follow, and the liturgical calendar makes no attempt to top it. The high seasons of Lent and Eastertide have passed, the liturgical purple, white and gold, and red are folded and put away. Through the remainder of spring and summer, and well into the fall, the church wears green—the color of life and growth. It’s time to move into a growing season that unfolds in its own time, yielding the fruit that the coming days will nourish. Whether it’s in the church year or in our individual lives, growth is manifest in ordinary time.

The drama wanes in the return to everyday life. When tongues of flame set us alight, we know there’s something happening. We’re part of something big, and life is exciting. When we’re merely a vine trying to put out a new leaf, the work is hard and the audience is gone.

The return to ordinary time is like the lesson from a Zen master—Before enlightenment: chop wood, carry water; After enlightenment: chop wood, carry water. Our spiritual life may change, but ordinary chores remain. We may awaken to a richer reality, but we live out that new perspective in this world—the only one we have.

A vision of what life might be depends on the work of carrying it out. The miracle of transformation is only experienced when it is lived. Transcendence can be visited upon us in a moment, but following through in the world takes time and strength.

Moses came down from the mountain to the mess that his people had made, and he led them to a better life. Though Peter encouraged Jesus to dwell on the mountain of his transfiguration, he returned to his ministry and made the journey to Jerusalem and the cross. Mountaintop moments come to fruition when we return to daily life.

When the Holy Spirit blew into the lives of Jesus’ followers, it was through the hole in their world left by his departure. It blows into our lives, too, through openings we may not even realize are there. Its arrival may not be dramatic, and its presence may be subtle. But it abides where it matters—in ordinary time.

What happens next?

Making Peace with What You Can Do

Walking in the early spring air this morning, I got by with a light cotton jacket. Yet the weather remains cool and damp. Green fronds push up from the ground, but the skies are grey. Trees are full of birdsong, though the bare branches appear unchanged since winter.

This almost-spring feels nothing like winter, yet there is no blossoming. As if the earth is saying: This, today, is what I can do. I can bring forth this much, but for now I can go no farther.

And the slow warming is enough. The turning of the seasons is exactly this; nothing more is needed. There is no hurry, no catching up to do. All is sufficient.

***

It’s tempting to discount those efforts we are able to make. How do you make peace with the limits of what you can do?

The Taste of Chartreuse

In this season of almost spring (a time described beautifully by Amy Oscar at her blog: Story, Spirit, Seed), I find myself thinking about the taste of Chartreuse. The flavor suggests the greening of the earth, the scent of mown grass and fresh herbs, the return of the sun in spring. Even its luminous yellow-green color speaks of new life.

It’s still a bit early to retrieve the bottle from the dark recesses of the kitchen cabinet. But for the first time in months I remember it’s there, waiting. Its distillation of past growing seasons holds the memory and anticipation of spring.

Chartreuse and its secret recipe have a fascinating history, which lends a delicious mystique to the experience of drinking it. I first tasted the liqueur in the company of dear friends after we watched Into Great Silence together. The film shows the passing of a year in the Carthusian monastery of La Grande Chartreuse, where Chartreuse has been made for centuries.

To watch the film is to experience something of the monastic life, with its beauty and tradition, as well as its constriction and mundaneity. The film evokes both yearning for the spare beauty of the monastery and claustrophobia at its repeated routines. It has no speaking, no soundtrack, only a few frames containing a word or two of French. Sounds such as the creak of a monk’s kneeling bench are heightened, enveloped in profound silence. It’s a beautiful film of changing light and unchanging ritual. I was glad to share its silence with friends, and also glad to speak with them about it afterwards.

The elixir made by the monks is lovely to sip on its own. Mixing it with the clear, cold effervescence of club soda makes a wonderful drink as well, something like the taste of winter giving way to spring.

That transition is a process happening now, at least for those of us in the Northern hemisphere. But how do we know when to celebrate?