Responding to Beauty

Early in his life, Leonard Cohen prayed to be able to make some response to beauty. I’ve been dwelling in the richness of that statement for days.

To utter such a prayer is to already have the grace of appreciating beauty, of having one’s eyes open to its presence in the world. And to ask for a way to respond is an enlightened longing. It does not seek to possess what is beautiful, to claim beauty for oneself. It measures value according to something beyond what serves an individual life. It asks for the power not to claim creation, but to participate fully in it.

The power and complexity of Cohen’s work, the ability of his music and lyrics to break open the heart, is a testament to his answered prayer. He looks hard at life, all of it, and makes of it something mysteriously, achingly beautiful. His work makes me want to live in poetry, even though he says of poetry that when your life is burning well, poetry is just the ash.

If his poetry is ash, then his life has burned like the bush Moses encountered.

The Holy Spirit moves in wonderful ways, including through friends who put amazing things into my hands. The film, I’m Your Man, is such a gift. It’s a moving film, featuring interviews with Leonard Cohen and performances of his music by various artists.

His breathtaking song, “Hallelujah,” has been performed by many talented people. Jeff Buckley’s rendition is wonderful. And there is nothing like its powerful performance by Cohen himself.

What shall we pray for? And how shall we respond to beauty?

You might be interested in reading my Love Letter to Leonard Cohen.

Beyond Personal Growth: Trusting the Mystery of Transformation

It took a long time to make much progress through John O’Donohue’s Anam Ċara: A Book of Celtic Wisdom. I mean that in the best of ways. The Gaelic term, anam ċara is literally “soul friend,” and if books can be friends, this is such a one. Most pages hold something rich enough to send me off thinking about it for a while. I’ve kept returning through about two-thirds of it now, and today this is the passage on my mind:

Spirituality is the art of transfiguration. We should not force ourselves to change by hammering our lives into any pre-determined shape. We do not need to operate according to the idea of a predetermined program or plan for our lives. Rather, we need to practice a new art of attention to the inner rhythm of our days and lives. This attention brings a new awareness of our own human and divine presence.

A willingness to grow is a good thing, but the programs and plans available to encourage our development are overwhelming. Bookstore shelves teem with personal growth books, religious and secular, as if we can’t stop flagellating ourselves with agendas for self-improvement. And yes, I’m familiar with these store displays because I’m irresistibly drawn to them. It’s hard to pass up some bit of wisdom that will make me more capable, more fulfilled, more deserving. When an article promises to share Five Steps to Happiness, I can’t help but read it.

I want to grow, but I’d prefer to do it without all the messy uncertainty and annoying unpredictability of not knowing the way. I would love to learn what to do and just do it. But O’Donohue spells out what’s lacking in such a prescribed approach:

It is far more creative to work with the idea of mindfulness rather than the idea of will. Too often people try to change their lives using the will as a kind of hammer to beat their life into proper shape. The intellect identifies the goal of the program, and the will accordingly forces the life into that shape. This way of approaching the sacredness of one’s own presence is externalist and violent. It brings you falsely outside yourself, and you can spend years lost in the wilderness of your own mechanical, spiritual programs. You can perish in a famine of your own making.

Creating, growing, transforming—these are all mysterious processes. They happen underground, in the depths, in the dark. Paying attention while a process unfolds that we can neither control nor rush is a counter-cultural way of life. It can be hard to learn and harder to trust.

But if we lose faith and limit ourselves to the kind of processes we can control, we banish ourselves to the wilderness O’Donohue describes. Will power is hard work, and doesn’t make for a very joyful life. Maybe it’s trust power I need to work on.

What kind of power keeps you moving forward?

Post Cards from the Divine

Names for God: Part 1 of a Series

I had seen reproductions of Vincent Van Gogh’s paintings long before visiting the d’Orsay in Paris, so I expected that viewing his work would be an encounter with something familiar. It never occurred to me that the originals might hold so much more than those reproductions could show.

It left me completely unprepared for the experience I stumbled into. I was stunned by the vibrancy, riveted by the color. The skies he painted came at me like a physical force.

Maybe it was having recently enjoyed the saturated blues of Mediterranean evenings; maybe it was the mindset of a traveler taking in everything new. I don’t know what opened me to the power of Van Gogh’s canvasses, I only know that I have never experienced color the way I did standing before his paintings. I have never had a sky brought to life and emblazoned on my mind in the same way. For twenty or thirty minutes I couldn’t take in anything else. I was left with an image, or more specifically a color, that overtook everything. That blue.

I bought post cards before leaving the museum—replicas of some of the paintings I had seen. They were pale imitations; the colors were wrong, the depth flattened out, the life drained. The reproductions were just reminders of what I had seen, nothing like standing in front of the real thing. But nonetheless I’m glad for the mementos. Years later, the post cards help me remember the experience of taking in the works of art and being moved by them.

I framed one of the Van Gogh cards and placed it on my desk. I love the image, the color, the conveyance of light, the sense of shelter. It gives me pleasure. I enjoy the framed post card, but it only hints at the power of the original. It doesn’t begin to reveal the divine inspiration Van Gogh conveyed on canvas. And I suspect that even his amazing painting would have fallen short of fully capturing the inspiration he felt, as works of art tend to do.

The words we use to talk about God are a lot like that framed post card. Our names for God are accessible, we can make them part of our lives, they hold meaning and beauty. We fit them into frames on our desks—in readings and hymns, conversation, worship and prayers. But we miss out when we confuse those names with the real thing. We cut ourselves off from the experience of the divine when we think that the little image in the frame is the object of our longing or the expression of our desire.

We need names for God, yet any name for God is a placeholder, a reminder of what will not fit in the frame, what cannot be named.

Is “God” a name that suggests the ineffable for you? What name are you drawn to using?

You might also be interested in:

Part 2: Naming the Ineffable

Part 3: The Kaleidoscope of Divine Names

Making Peace with What You Can Do

Walking in the early spring air this morning, I got by with a light cotton jacket. Yet the weather remains cool and damp. Green fronds push up from the ground, but the skies are grey. Trees are full of birdsong, though the bare branches appear unchanged since winter.

This almost-spring feels nothing like winter, yet there is no blossoming. As if the earth is saying: This, today, is what I can do. I can bring forth this much, but for now I can go no farther.

And the slow warming is enough. The turning of the seasons is exactly this; nothing more is needed. There is no hurry, no catching up to do. All is sufficient.

***

It’s tempting to discount those efforts we are able to make. How do you make peace with the limits of what you can do?

The Need for Retreat

I’ve been working with other members of The KaBooM Writing Collective this week, planning a one-day writing retreat that happens tomorrow. It’s exciting to work with the possibilities that a day can hold, and I look forward to what will happen during those hours.

Retreats of any length are all too rare. A week or month is the classic model, and good to aspire to. But it’s not easy, and often not possible, to check out for so long. Shorter retreats are more accessible, though finding even a single hour out of the day’s course can be a challenge. An entire day is a pretty big deal for most of us, and I appreciate those writers willing to set that time aside.

Claiming any time at all requires attention and commitment. Even the intention to retreat is evidence of a change we’re already making.

Once we do that, a retreat unfolds differently from everyday hours. It’s a time entered hopefully, with openness to surprise; it’s lived out expectantly, but without an agenda. Retreat is a time we prepare for, but without planning what will transpire. It’s a time of asking a question and waiting for the response; allowing something new to happen and paying attention to the movement of the spirit.

We need to enter that mindset often to keep our spiritual and creative life nourished. Prayers and practices in everyday life help. But looking back I see important growth, in both my spiritual and artistic life, from the renewal that comes from retreat. Time taken off from “being productive” ends up generating the most productivity of all.

So I see the day as full of possibilities. We’ll enter our writing through the doorway of the senses, bringing life to words by being centered in the body. We’ll ground ourselves in a particular moment through focus on the physical, sensory experience of being alive. The context of a day of retreat adds another element as well: a chance to connect to the spirit that breathes life into our lives and our work.

The question I’m asking is, What new opening will the day bring?

Divine Inspiration and Everyday Incarnation

These days I’m living in the tension between inspiration and productivity; between drawing water from the well and hauling it home to cook and wash. There are so many things I want to do, but the hours and energy of the day are spent before I can see to them all. I love being in touch with the creative spirit, yet I’m overflowing with plans and ideas that I can hardly carry out. It’s hard to bridge the gap between ideal and actuality, vision and incarnation.

I’m also trying to remember that this challenge is a blessing. I’ve had my share of wandering in the wilderness, wondering where the path was leading. Chances are I’ll experience the wilderness again. But for the time being I have meaningful work to do—an assortment of conversations, projects, and explorations. On the surface they seem unconnected, yet together they impart the sense of gathering energy.

It’s good to feel that generative flow—what we call the Holy Spirit at work. It has been moving all along, bringing me to this place, but now it’s easier to see. Gratefully, I’m trying to pay attention to the work I need to do. And I’m trying to go with the flow.

What if we could always remember that we’re being led to the place we need to be? That we are part of the ongoing work of incarnation?