Abundance in the Ordinary

Last weekend was my daughter’s college graduation—a festive, joyous, exhausting two days of observing the rituals, celebrating the accomplishments, savoring the moments, and packing up the contents of her dorm room as she leaves college behind.

In the midst of it all was a baccalaureate service with remarks by Rabbi Joe Rooks Rapport, who also happened to be another proud parent of a graduating senior. One of the things he spoke about in his address was the power of simple events to deeply affect our lives, and how sharing ourselves in ordinary ways can profoundly affect the lives of others.

He spoke on a quiet story from Genesis where Joseph, the dreamer, sent by his father to find his brothers, is wandering through a field on his search. When a man appears and asks where he is going, Joseph describes his task and asks if the man can help. Indeed he does know where the brothers are and directs Joseph to them. It’s not a dramatic story in itself, but it leads to the events on which a nation’s survival depends and a history in which its identity is forged.

This turning of events on such an unremarkable occurrence reminds me of the familiar poem by William Carlos Williams:

So much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens.

A person’s life can pivot on events that seem small at the time, on a moment as simple as receiving directions, on a tool as humble as a wheel barrow, or even the wheel on which it balances.

The rabbi reminded us that we’re walking around like jigsaw puzzles, with everyone missing some pieces and also holding parts that belong to someone else. These extras usually don’t seem worth much to us, they’re just something we carry around. But when we offer them to the right person their value is extraordinary.

It may not seem life-changing to tell a friend we believe in her when she feels defeated, or to talk to a student about our chosen field, or to offer some direction when we know the way. But we never know what might be the point on which someone else’s life turns. If we pay attention, we might see we’re in a position to help.

Acts of generosity help to heal the world in the only way it can be healed—one heart at a time. So we offer what we have and let the abundance of creation multiply those gifts.

To use a New Testament illustration, each of us carries around loaves and fishes that can go a long way.

Something Old, Something New

Lately I’ve been perusing local antique markets, flea markets, estate sales, garage sales, and second hand shops, looking at vintage costume jewelry. I’ve been having a great time exploring local places that have been in business for years, but hidden in plain sight from me until the antique bug bit. It’s a whole new world of old things.

The variety of beads and stones, charms and chains, colors and designs, are endlessly compelling. Some connect me to the past, reminding me of a pin I remember my grandmother wearing or beads for playing dress-up from my mother’s jewelry box. A cluster of beads on a clip earring or an elaborate rhinestone brooch evoke another era, while a strand of glowing pearls holds timeless allure.

Many of these pieces, separated from the women who once owned and wore them, are too lovely to be abandoned. So I find myself looking for ways to recreate and place them into the stream of life once again. They usually need cleaning up, and sometimes more—beads restrung, stones replaced. Some of the pieces ask to be worn as is, but more often they need re-visioning. The link from a bracelet can become an interesting element on its own, a single earring can be incorporated into a unique necklace, a pin can become part of a pendant. The amazing designs in these old pieces can find new life when they’re separated and combined in new ways. A worthwhile element from the past retains a sense of that era, even as it is fitted to live on in a new context.

One of the things I love about costume jewelry is its accessibility. I would hesitate to alter a valuable piece of jewelry, even if it were something I wouldn’t want to wear in its original state. The sense that what is valuable is untouchable is strong, like the childhood admonition to look but don’t touch. But such items, when they are no longer relevant, tend to be set aside. When objects or designs fall out of favor or use, they’re put away and may or may not be found again. The pieces that remain relevant to the lives we lead are ultimately the ones we’re able to keep track of.

The best of our ideas are like this. Our values, our faith, our commitments are not rarified notions kept apart from everyday life, untouched by our experiences. They are rather the things we take up every day, acquiring the patina of time and use, occasionally refitted to remain relevant to the life we currently live.

Fine jewelry, like a fine idea, enhances life only if we wear it. Those things we actually wear are part of how we’re remembered, and become part of who we are.

What kind of jewelry do you like to wear?

 

A Box for Prayers

Thinking back over the week, it’s interesting to recall several conversations about prayer. Not a subject that typically recurs so often. With life moving quickly along from one thing to the next, I didn’t notice this thread weaving through the past few days until I stopped to reflect on what the week has brought.

This is a reason to write a blog, by the way. It helps me pay attention. The blog becomes a box for reflection, and its presence is a constant reminder to place something in it. A box for prayer can work the same way.

To one of these conversations from the week a friend brought a gift she had received—a beautiful handmade wooden box, shaped something like a medium-sized apple. The lid lifts off with a long stem-like handle to reveal a rounded interior, sanded smooth, the grain visible in the dark wood. It has just enough heft to feel solid in the palm of one’s hand.  After living with the gift for a few weeks, she realized that it would be a box for her prayers.

All sorts of prayers can be placed in such a box. Prayers for others can be held there, represented by a name written on a slip of paper. A gift that the day brings, a worry we can’t let go of, a feeling of fear or grief or longing—the concern and gratitude and pleas that color our spiritual life all have a place in a box for prayers.

To give our prayers a tangible expression is a comfort. A similar practice happens on a larger scale in Old Jerusalem where the Wailing Wall, or Western Wall, holds the prayers of visitors who tuck their written words into spaces between the ancient stones. The space is considered holy because of the Jewish tradition that the Divine Presence remains there. More than a million notes are placed there every year. Semi-annually the notes are collected and buried on the Mount of Olives.

Most of us can’t place our prayers in the Wailing Wall, but we can set aside a sacred space of our own. It might feel right to ask a blessing on that space, or it may be enough to let the blessing come from the prayers with which we fill it. They may be in the form of written words, or in a simple nonverbal prayer such as lighting a candle.

A box for prayer might be a metaphorical one as well. It can be a place to visit that feels set apart. It can be a time of day. It can be the experience of sacred writings, or music, or art. It can be a ritual that helps to place us in the presence of the divine. It can be anything that helps us see that we are standing on holy ground.

What have you found that serves as a box for prayer?

Seeing the Picture

I’m remembering a dear uncle this week. Tall, gentle, and soft-spoken, his careful tamping of tobacco and patient lighting of his pipe fascinated me at family gatherings when I was a girl. Back then he was the only adult I knew who painted pictures, and I was confused when he said he didn’t think of himself as an artist.

One of his paintings was of a tree, which I remember him saying was out back of some building, in the parking lot. That was even more bewildering. How could something as special as a painting be made of something that sounded so ordinary? I would have learned an important lesson much earlier if I had been able to articulate that question, but I was a child with a thousand things I didn’t understand and no way to determine which I needed most to learn about.

Fortunately, I was able to know him long past childhood. He gave up his pipe in later years, and eventually failing eyesight took painting from him as well. But his sensibilities remained, and he appreciated the goodness of life. To talk with him was to share in a beautiful perspective on the world.

I took a break in the middle of the morning yesterday, from both the household chores I was taking care of and the writing I’ve been obsessing about for the past few days. Weary of all of it, I decided to just have a cup of coffee. Not to read or write, not to think or analyze or plan, but just to sit and look out the window and drink my coffee.

It was a beautiful day. The bright snow on the ground, the white-trimmed branches against a bright blue sky—“pretty as a picture” was the phrase that came to mind. It’s an old-fashioned idiom from a time when pictures were rare, special in a way utterly foreign to our image-flooded culture. But the phrase still evokes that sense of attention and value that comes with placing a frame around a scene. Making a picture is a way of saying this is worth noticing.

That’s what an artist can do. It’s what my uncle did when he saw something beautiful in an ordinary scene. Appreciating beauty doesn’t require a literal frame, but it helps to have some kind of reminder to pay attention. The frame could be the time it takes to drink a cup of coffee. It could be a particular place to be at a regular time of day. It might take the form of a ritual, like lighting a pipe.

It might even be a conversation with someone who can help you pay attention. Talking with Uncle Guyles often helped to frame something worth noticing. I’ll miss him.

What helps you frame the things you want to notice?

When Searching Doesn’t Work: Being Prepared to Find

For the past few weeks I’ve had a single silver earring hanging from the stand on my dresser. The forlorn half of a pair, it hasn’t been worn since the day I lost its mate.

I looked everywhere I could for the missing dangle—in the weave of my sweater, the folds of my scarf, the lining of my coat; behind the seat cushion of the car, in the carpet on the floorboards, among the detritus of a day of errands; on floors and countertops and inside grocery bags. I could only conclude that it lay somewhere among the miles of parking lots and store aisles I had crossed that day.

The earrings were a pair I wore often. They were simple and well-formed, bought years ago from a local artist. Back then I stretched a bit to afford them, though given their price per wearing they were a bargain. I was sad to lose something that fit so well into my life.

Today an easing of winter’s onslaught inspired me to sweep the garage, motivated mostly by the prospect of less dead leaves, dirt, and crud to track into the house. Pushing a mound of debris in front of the broom, I noticed a glint of light. When I stopped to look, yes, there was the earring missing for these many weeks.

I had examined the garage floor in my search, and since then had crossed and re-crossed the path where that familiar silver form must have fallen. But somehow I missed it.

Not until I swept things clean, tumbling the leaves and dirt and trash together, re-ordering that small part of the world, could I find what I had searched for so diligently and nonetheless overlooked. There’s a lot to be said for a cleaning binge. In sweeping out and putting things in order, there’s no telling what you’ll find.

It pays to do the chores with eyes open, to notice what gleams among the debris. It helps to have some idea of what we’re looking for as well. Remarkable things, even the things we search for, sometimes show up in unexpected places.

What are you looking for?

In the Meantime…or Late Summer

August, for me, is the month before things really get started. Heavy with the accumulated heat of the season, it flattens all ambition. Even as the long days grow shorter, with summer slipping away, there is no energy to spare.

My daughter returns to college soon; life is about to change. Soon it will be time to take on new projects, but not quite yet. If there was ever a waiting time to fill, August is it.

What to do in the meantime? Tomatoes ripen faster than we can eat them, the urgent culmination of the season’s growth. The basil desperately tries to go to seed, anticipating the first frost that still seems far away to me. Summer wanes, yet for the moment I’m not ready to move forward.

I’ve been looking around at what needs to be done, giving the attention that’s harder to bring when I’m in the midst of things. I’ve culled cookbooks and recipe files; kept appointments with the vet, the dentist, the rug cleaners; read through magazines I’ve been saving; cleaned out the refrigerator.

In the meantime is valuable in its own way. A time of gathering energy, of clearing a path through the clutter of to-do lists. It’s a particular kind of waiting, like emptying the dishwasher while the tea steeps, or finding a good read while watching for a friend at a bookstore. It’s a way of attending, not “killing” time but filling it.

John Lennon reminded us that life is what happens while we’re making other plans. Our goals and hopes and plans are important, but so is the life we live on the way to attaining them, in the meantime. It’s good to remember that, because sometimes life surprises us with what is substantial and what isn’t. The things that look solid as a stone wall can crumble, and what may seem ephemeral as a delicate weed can endure among the rubble.

Soon and suddenly, we’re pulled into the forward momentum of September. It happens so fast I’m in it almost before I see it coming. This year August has cooled down early here, with the autumnal weather bringing a corresponding change of pace for me. Those languid days seem slow, but they pass quickly by. September will soon be upon us.

What do you do in the meantime?

The Things that Save Our Lives

I’ve begun reading Barbara Brown Taylor’s An Altar in the World, a title that speaks to the significance of our embodied lives and our daily experience of the world around us. Her book explores the meaning inherent in our physical existence. The chapters describe ways of inhabiting our bodies and our lives that help answer the spiritual longing for more—“ more meaning, more feeling, more connection, more life.”

“The accumulated insight of those wise about the spiritual life,” she says, “suggests that the reason so many of us cannot see the red X that marks the spot is because we are standing on it.”

The friend who recommended this book called Taylor’s “an earthy spirituality,” and it is exactly that. She rejects the separation of earth and spirit, of body and soul, found in many spiritual writings. She sees that split as more an injection of the history of Western thought than the essence of a life of faith. She makes the point that Christianity at its heart reveres the life of the body through its reverence for the Incarnation. In her words, Christianity takes body and blood very seriously.

Barbara Brown Taylor is an excellent writer and I am finding both pleasure and meaning in her work. I appreciate the way she describes the practices that keep her grounded in the world and, at the same time, connected to the divine.

But the question that keeps prodding me is one she lifts up in her introduction, a question from which her book arises. Asked to speak at a church gathering, she inquired what the priest wanted her to talk about. In his wisdom, he went straight to the heart of life and asked her to “Come tell us what is saving your life now.”

There’s a question. What is so important right now that our lives depend upon it? How do we hold onto what will give life meaning or at least keep us from the pit of despair? Our answers change, but the question remains essential. I’m learning something from how she answers that question, and thinking about how to answer it for myself. I think conversations in which we can share the things that are saving our life are themselves part of what saves us.

For me, the process of learning to see helps. I’m learning to see how the spiritual resonates in the physical world, learning to see patterns in how life unfolds, learning to more clearly see other people. I think that learning to see is a way of learning compassion, as well.

So I would love to hear—What’s saving your life right now?

Libations

I love the word libation. It suggests an experience set apart, invoking the spirits as well as mixing them. It acknowledges the fine complexity of ingredients from aged and distilled essences to juices squeezed fresh from the fruit. It captures the sense of ritual in measuring and pouring, selecting the particular gleaming glassware, and finishing with a fresh garnish.

The alchemy of a shaker is a powerful magic to wield, a container within which texture, temperature, and flavor combine to yield something altogether new, a frosted elixir poured from its mysterious depths. The visible process of a blender is more transparent, almost hypnotic, as colors and textures roil until they are transformed under its power. The musical swirl of a swizzle stick and ice mesmerizes in its own way, yielding the luxurious simplicity of a potion clear as crystal.

It’s one thing to pour a drink, but quite another to prepare a libation. It’s an offering for all the senses, an experience to savor, and a privilege to imbibe.

The word libation comes to us from the Greeks. It was originally a drink offering made to the gods, and came to mean both the drink and the act of offering it. It was poured out as a sacrifice—language that permeates Christianity through the description of Christ’s life as poured out for others.

To prepare a libation is to prepare an offering, even if we no longer make its presentation to a deity part of the ritual. For us, to partake of a libation is to participate in the goodness of life. To share a libation is to acknowledge together what has been poured out to create a world capable of yielding what is beautiful and good.

Alcohol may be an ingredient in a special drink, but not always. In ancient days a libation was sometimes water—especially in the desert where it was appreciated as a precious liquid necessary to sustain life. Today we may use sparkling water and add fresh juices, or blend our ingredients into a smoothie. But a beautiful drink in a sparkling glass retains a breath of awe.

Rituals of pouring an offering upon the ground are rare these days. But the loveliness of a drink specially prepared, and the privilege of sharing it with people we love, is a moment worth noticing. Even in these overfull days, centuries removed from the drink offerings to the gods, a libation still captures our attention. It leads us to pause, to appreciate, and perhaps even to pour out our thanks.

The drink in the photo is a Sea Breeze, a pleasure to have at the beach last week. What counts as a libation for you?

The Path Back to the Garden

I’ve recently read two good books: Women Food and God by Geneen Roth and The War of Art by Steven Pressfield. At first glance they seem to be about very different subjects—making peace with food and making art. But reading them in close proximity has me thinking about them together and finding connections I didn’t expect.

Geneen Roth’s work arises out of her experience with compulsive eating and her years of helping others separate food from the emotional issues tangled up with eating. But her insight is into addictions of all kinds. Seeking refuge in the addiction is how we abandon ourselves, withholding the attention to our own hearts that can show us what we most need to know.

She describes it as:

an attempt to avoid the absence (of love, comfort, knowing what to do) when we find ourselves in the desert of a particular moment, feeling, situation. In the process of resisting the emptiness, in the act of turning away from our feelings…we ignore what could utterly transform us.

Steven Pressfield’s work is about overcoming the resistance that arises in anyone attempting to do something new. An artist must recognize and conquer the impediments that inevitably arise when we try to shape a new creation, realize a new vision, or express a new idea. Resistance would enforce the status quo, having us abandon our risky calling and with it our highest self.

He writes:

To yield to Resistance deforms our spirit. It stunts us and makes us less than we are and were born to be. If you believe in God (and I do) you must declare Resistance evil, for it prevents us from achieving the life God intended when He endowed each of us with our own unique genius.

Both writers see the work we’re called to do as deeply connected with the divine. Both understand how easily we are kept from that work, and the heartache that ensues. Roth urges us to remain present to ourselves when we’re tempted to flee. Pressfield insists that we show up to do the work even when it feels impossible. They are connected.

Being present to ourselves allows us to do the work. Doing the work makes us present to ourselves. Both place us in the presence of God. Taking refuge in addiction is a kind of resistance to the life we’re called to live. Allowing resistance to come between us and our true work creates a false refuge in which we can never find a fulfilling life. Both are an attempt to hide when God calls our name.

An addiction cuts us off from the Tree of Knowledge standing in the center of the Garden. But as soon as we bring our attention to our behavior, to the thoughts and emotions driving it, the addiction shows us the way back. Likewise resistance keeps us out of the garden we were created to tend. No other work will give us satisfaction until we climb over the walls that stand between us and our calling.

What’s the next step leading back to the garden?

Seeing Those We Meet as an Expression of the Divine

A friend recently shared with me her sense that everyone we meet is an expression of the divine. Maybe that’s what is implied in saying that we’re all children of God, but her way of stating it captured my attention.

A day later I was on a plane for New York City, and her words remained with me while I was traveling. As other passengers claimed their seats, I considered the greater connection we shared. In that light, the aircraft seemed a container of sacred space.

In the city, among rivers of pedestrians filling the sidewalks, the press of engines and car horns through the streets, and the whoosh of full subway cars gliding by, I moved in close proximity to thousands of other people in a single day. So many souls; I was one among many. It changes everything to remember that each one is a way of seeing God. When the light changed at the street corner, I joined the wave of people washing across the avenue, part of the ocean of humanity in that city, upon this earth.

Thinking of other people as expressions of the divine lets everyone in. It shows that adopting tunnel vision regarding what I want is to choose a kind of blindness. All these people line the walls of that tunnel, each with their own ways of manifesting life. Each one matters. When I open my eyes, I see that every place where our lives intersect is holy.

Yet sometimes it’s too much, letting in all that humanity. Their energy clashes. Their oblivion is painful. They make such a mess, leaving chaos behind wherever they go. Like the trash blown up against the curb early on Sunday morning. Like the young woman dropping a gum wrapper on the stairs of the subway in front of the old man sweeping up and spitting a round of Spanish in response. There are reasons why we block out the press of life around us.

But if people are the diverse expressions of a divine commonality, we inherit a connection to all of them. Other people are the sea we’re moving through, whether we’re fighting the water or swimming in it. We, too, make up this sea of life. We’re part of a miraculously varied and endlessly energetic creation. The diversity we see out there is within us as well, and the expression we give to it makes us an integral part of the whole.

We really are all in this together. Why is it hard to learn a truth so old and so familiar?