Knowing the River

Every day, I fill a pitcher with water from the tap. I appreciate being able to drink when I’m thirsty, and sometimes remember to be grateful for the rain that fills the river. Water sustains my life. It becomes part of me; I am intimately connected to its source. But sipping from my glass does not allow me to claim the river.

 

Red River Gorge

 

Going to the river is an entirely different experience. In Kentucky there are hundreds, thousands, of places where I might walk along the banks or step among the stones above the water’s surface. Where the water flows clear I can look through to pebbles lining the riverbed and fish darting among them. Where stones are slick with algae there’s always a chance of falling in. I can wade in the shallows or perhaps swim in a few places. The deeper, swifter water requires a vessel and some companions. A guide is helpful where the river churns white.

A close-up look at water’s edge is unlike the changing perspective from a boat, or the wider scene from atop the palisades. Even with a view from the air I can see only part of the whole river. Its long path is too much to take in at once, and yields infinite variations according to time, weather, and season. A blue line labeled on a map is easily found, but tracing the map is not the same as knowing the river.

It’s terrible that many rivers are so polluted we can’t swim or fish in them. Individually and collectively, our hubris has sullied what we need to survive. Yet even these tainted waters remain essential. We filter out the toxins the best we can, reclaiming the water we must have to live.

I can’t simply fill a glass with water as a way to know the river, much less hold the river in my hand. Neither can I quote the Bible and expect a scriptural sound bite to convey its teachings. Discernment is an important aspect of grappling with scripture; it’s not as simple as fishing out a pertinent chapter and verse.

The Bible is not a code of law or a constitution from which we draw off rules as we would draw water from the tap. Scripture is a conversation, an exploration that began thousands of years ago. It contradicts itself. It speaks in different contexts. Scripture is rich and varied, and to engage with it is to create an opening for wisdom.

To wield the Bible as a debate tool is to miss being part of its life-giving flow. Scripture can be experienced in a thousand ways throughout a lifetime, but to use it against others is to waste it. It would be absurd to throw a glass of water in someone’s face and declare that I’m acting on behalf of the river.

A line of scripture can offer hope or inspiration. It can be a reminder of the richness to be found in the entirety of the Bible. But separated from its context the passage eventually becomes a stagnant pool. Water separated from the flow of the river grows foul and breeds pestilence.

I am grateful for a glass of water. I am humbled and in awe of the river from which it flows.

 

 

Hand-Lettered Inheritance

 

Gospel of Matthew St. John's Bible

Handwriting is more of an archaic art all the time—we even have apps for keeping our grocery lists. But as a calligrapher and as someone who loves books, I remain inspired by those monks of centuries past. They lit a candle in the dark ages, toiling away in their scriptoriums to copy manuscripts by hand. Their work was their answer to the question of what must be preserved, and what deserves to endure.

Today we are long past relying on scribes to copy out manuscripts, which makes the St. John’s University commission of a hand-lettered edition of the Bible all the more remarkable. Commissioned in 1998 and completed in 2011, it is a new work of calligraphy on a scale not seen for centuries. Even more exciting is that the volume containing the gospels is on display at the Berea College library during this academic year. The book is under glass, but five days a week it is turned to a new page.

 

2014-10-11 St. John's Bible at Berea

From the design of the book to the life in every line of the handwritten text and the artistic rendering of beloved passages, the work is beautiful. It brings together art, design, calligraphy, history, language, religion, and spirituality, yielding a result that elevates each of these realms. Donald Jackson, the Artistic Director of the project, said, “The continuous process of remaining open and accepting of what may reveal itself through hand and heart on a crafted page is the closest I have ever come to God.”

 

Matt 22.37-40 St. John's Bible

There is something about the willingness to undertake such a massive project that is beautiful, as well. Enormous coordination of effort and the resources required might be expected for the construction of a building or the making of a major film, but such largess is like breaking open the alabaster jar when lavished on rendering the written word. This project affirms both the unique value of these long-preserved scriptures and the power of words on paper.

Seeing this beautiful manuscript is a reminder of the ability of the written word to preserve and connect. Writing has long been a conduit for energy and inspiration to flow from one era to another, from one person to another, across vast expanses of time, geography, and culture.

 

Detail of St John's Bible - Matthew

Life was breathed into these words when they were first spoken, and into their recounting by those who recited them later. Life was poured into the lines by the writer’s hand and with each scribe’s individual pen strokes. Each step of the way, the energy of an individual person, expended in a singular place and time, created the link between the past and present. The technology that allows us to easily disseminate words and images is a wonderful tool, but technology also makes it easy to forget the individual people behind all our communication.

Words matter. Ideas matter. What we say, what we remember, what we write matters. As we live out our lives, linking the past to the future, we serve in the same role as those ancient scribes. We don’t use quill and ink, perhaps not even paper, but we play our part in preserving and communicating those things worth passing on. We have new tools, but the same task.

 

Detail St. John's Bible

 

What text shall we hand down?

 

Story and Spirit

Lately I’ve revisited stories from the Bible in a new way, serving as a storyteller for children’s worship at church. Following the “Children, Worship, and Wonder” program we rely on, I’ve learned to present the stories in a ritualized way.

 

Worship & Wonder Beside the Sea of Galilee

 

During Worship and Wonder, children experience sacred space created especially for them. Influenced by Montessori practices, each story has its own materials, stored neatly on a wicker tray and placed in its particular spot on a low shelf. Once the story has been told, it is available for the children to work with on their own for the rest of the year.

As in the Bible, these stories are told using relatively few words. They are acted out with simple but beautiful materials crafted from wood and sanded to a natural finish. There are quiet pauses to allow the parts of the story to sink in.

 

Worship & Wonder 002

 

The action of the story might be played out on an expanse of felt representing the Sea of Galilee or in the sand of the desert box. The characters move, they make decisions, they speak, they react to what happens, things change.

 

Worship & Wonder Jesus and Levi

 

In telling stories this way—mindful of the setting, allowing pauses between lines, showing a character’s response through action—I’ve become aware of the spaces within the story. There are moments when the action might have played out differently, where a person might have responded in another way, or where other conversations might have occurred. The drama grows, the questions multiply, the possibilities increase.

It’s a contemplative way of entering the story, leaving room for something new to appear. It brings an element of Ignatian spirituality, a practice established by Ignatius of Loyola, founder of the Jesuits. In Ignatius’s Spiritual Exercises, a practitioner places himself in a scene from the Bible, brought to life through the imagination. She imagines taking part in an episode from the life of Jesus, watching to see what happens and listening for what might be spoken to her.

 

Worship & Wonder Jesus Eating with Tax Collectors and Sinners

 

Children easily and naturally use their imaginations to enter a story, offering ideas of what people might have said, how they might have felt, or what they might have done next. This way of dwelling in a story creates a sacred space where the spirit can work. Seeing this happen is a reminder of the power of story for all of us.

At the end of the hour, the storyteller gives each child a blessing before they leave. It’s a quiet moment, one-on-one. On a recent Sunday I knelt at the door to speak to a child at her eye level. I told her I was glad she was there at Worship and Wonder today. “I’m glad you were, too,” she whispered.

I hadn’t expected to be the one blessed.