The Wakefulness of Autumn

A couple of weeks ago Kentucky sweltered through a summer that had far overstayed its welcome, as a string of 90-plus degree days begun in August disregarded the beginning of fall entirely. Then last week everything changed: I put an extra blanket on the bed, huddled with a cup of tea against damp gray air and wondered how much longer we could get by without turning on the furnace. But now the warm, golden afternoons of the past few glorious days remind me of why October is my favorite month.

There is no lull of sameness to these days. When the world we move through shifts so dramatically, it claims our attention. A changing environment heightens awareness of what’s going on around us. Especially when the haze and humidity of late summer gives way to the bright blue skies of autumn, the shift in seasons is like waking up.

Fall is a gift—a powerful reminder to live wakefully. A lot is happening. I hear it from the raucous crows convening in the tops of the ash trees. I see it in the spiders looking for shelter indoors, the plants going to seed. I feel it in the new wind picking up.

The urgency of the transitions teaches us to notice. And to appreciate. The season’s end offers a sense of the great effort behind its growth. As the energy that infused blossom, fruit, and harvest withdraws, the withered vines mark with startling contrast a place where life has been. It also signals the necessary rest before a new cycle of growth will begin.

The force of life in a growing season is a marvel, and the efforts we make during our own periods of growth can be fairly miraculous, too. Often it is only at the completion of some phase of life that we can take a breath and see how much we’ve accomplished, even as we wonder how we managed to do it. In the thick of things we are rarely able to see how much is happening. Yet something within continues to strengthen us, helping us grow green and supple enough to rise and meet the next challenge, too.

I don’t know how much of the credit is ours for times of growth and moving forward. There are periods I can look back on with a sense of satisfaction at the hard work accomplished. But when I consider those times it’s also with a sense of awe at the life that has moved through me. I feel grateful to have served as a vessel for something good, and I hope it might happen again.

What are you noticing this fall?

Seeing Those We Meet as an Expression of the Divine

A friend recently shared with me her sense that everyone we meet is an expression of the divine. Maybe that’s what is implied in saying that we’re all children of God, but her way of stating it captured my attention.

A day later I was on a plane for New York City, and her words remained with me while I was traveling. As other passengers claimed their seats, I considered the greater connection we shared. In that light, the aircraft seemed a container of sacred space.

In the city, among rivers of pedestrians filling the sidewalks, the press of engines and car horns through the streets, and the whoosh of full subway cars gliding by, I moved in close proximity to thousands of other people in a single day. So many souls; I was one among many. It changes everything to remember that each one is a way of seeing God. When the light changed at the street corner, I joined the wave of people washing across the avenue, part of the ocean of humanity in that city, upon this earth.

Thinking of other people as expressions of the divine lets everyone in. It shows that adopting tunnel vision regarding what I want is to choose a kind of blindness. All these people line the walls of that tunnel, each with their own ways of manifesting life. Each one matters. When I open my eyes, I see that every place where our lives intersect is holy.

Yet sometimes it’s too much, letting in all that humanity. Their energy clashes. Their oblivion is painful. They make such a mess, leaving chaos behind wherever they go. Like the trash blown up against the curb early on Sunday morning. Like the young woman dropping a gum wrapper on the stairs of the subway in front of the old man sweeping up and spitting a round of Spanish in response. There are reasons why we block out the press of life around us.

But if people are the diverse expressions of a divine commonality, we inherit a connection to all of them. Other people are the sea we’re moving through, whether we’re fighting the water or swimming in it. We, too, make up this sea of life. We’re part of a miraculously varied and endlessly energetic creation. The diversity we see out there is within us as well, and the expression we give to it makes us an integral part of the whole.

We really are all in this together. Why is it hard to learn a truth so old and so familiar?

Naming the Ineffable

Names for God: Part 2 of a Series

Woven into the fabric of Hebrew tradition is the wise teaching that the name of God is never to be uttered. The powerful and mysterious name, given in the story of Moses’ encounter with God in the form of a burning bush, is usually translated “I Am What I Am.” It’s the designation of something more than we can grasp, not to be treated lightly. A reader of the Hebrew substitutes adonai, or “the Lord,” when reading scripture aloud.

Any other name denotes an individual we can know, someone with particular characteristics and habits, whose existence necessarily means limitations, a being among other beings. But this name is different, one that we cannot wield with understanding, a name beyond names.

I’m drawn to that mystery, but if God is beyond what can be named, it’s hard to know where to begin. How can I even think about, much less have a relationship with, the unfathomable source of life?

A sense of divine presence is somewhere to start, or the longing to experience it. The Psalms speak to that kind of knowing: As a deer longs for flowing streams, so my soul longs for you, O God. We can’t claim the stream, or apprehend its course; but we know our need for it and the experience of being refreshed by its waters.

And we have not only our own individual experience to draw on, but that of countless generations who have gone before. Many left their mark on the world’s faith traditions. When we find a line of liturgy or scripture or interpretation that resonates, we have a guide who helps us prepare for our own experience of the divine. We have gifts of poetry, art, and music that can open our hearts and point the way. The earth itself speaks eloquently of divine beauty, renewal, and creativity.

The unutterable name of God is spelled out everywhere, if only we can learn to read.

I’d love to hear about your experience. What stirs in you a sense of divine presence, or longing? Is it something you seek out in the rituals and routines of your life, or something that takes you by surprise?

You might also be interested in:

Part 1: Post Cards from the Divine

Part 3: The Kaleidoscope of Divine Names

Post Cards from the Divine

Names for God: Part 1 of a Series

I had seen reproductions of Vincent Van Gogh’s paintings long before visiting the d’Orsay in Paris, so I expected that viewing his work would be an encounter with something familiar. It never occurred to me that the originals might hold so much more than those reproductions could show.

It left me completely unprepared for the experience I stumbled into. I was stunned by the vibrancy, riveted by the color. The skies he painted came at me like a physical force.

Maybe it was having recently enjoyed the saturated blues of Mediterranean evenings; maybe it was the mindset of a traveler taking in everything new. I don’t know what opened me to the power of Van Gogh’s canvasses, I only know that I have never experienced color the way I did standing before his paintings. I have never had a sky brought to life and emblazoned on my mind in the same way. For twenty or thirty minutes I couldn’t take in anything else. I was left with an image, or more specifically a color, that overtook everything. That blue.

I bought post cards before leaving the museum—replicas of some of the paintings I had seen. They were pale imitations; the colors were wrong, the depth flattened out, the life drained. The reproductions were just reminders of what I had seen, nothing like standing in front of the real thing. But nonetheless I’m glad for the mementos. Years later, the post cards help me remember the experience of taking in the works of art and being moved by them.

I framed one of the Van Gogh cards and placed it on my desk. I love the image, the color, the conveyance of light, the sense of shelter. It gives me pleasure. I enjoy the framed post card, but it only hints at the power of the original. It doesn’t begin to reveal the divine inspiration Van Gogh conveyed on canvas. And I suspect that even his amazing painting would have fallen short of fully capturing the inspiration he felt, as works of art tend to do.

The words we use to talk about God are a lot like that framed post card. Our names for God are accessible, we can make them part of our lives, they hold meaning and beauty. We fit them into frames on our desks—in readings and hymns, conversation, worship and prayers. But we miss out when we confuse those names with the real thing. We cut ourselves off from the experience of the divine when we think that the little image in the frame is the object of our longing or the expression of our desire.

We need names for God, yet any name for God is a placeholder, a reminder of what will not fit in the frame, what cannot be named.

Is “God” a name that suggests the ineffable for you? What name are you drawn to using?

You might also be interested in:

Part 2: Naming the Ineffable

Part 3: The Kaleidoscope of Divine Names

A Church of Unknowing

I’ve just finished reading Karen Armstrong’s The Case for God (Knopf, 2009). It’s a big book to wade through, but the clarity and grace of her writing make it a pleasure. Even more, her ideas stimulate my own thinking. I won’t try to do a review or a summation, but here is one aspect that resonates with me.

One of the gifts of The Case for God is that Armstrong articulates clearly how the modern Western mind came to equate truth with certainty, knowledge with logic and definitions, and credibility with science. Even more, she shows how this way of thinking resulted in a notion of God disconnected from the heart of religious longing.

Rather than allowing language and logic to carry us to their limit, then point us toward the mystery that cannot be named or known, we settled for a list of God-traits. Our idea of God defined a being, with specific attributes, sitting at the next-higher level of creation. In Armstrong’s words:

The process that should have led to a stunned appreciation of an “otherness” beyond the competence of language ended prematurely. The result is that many of us have been left stranded with an incoherent concept of God. We learned about God at about the same time as we were told about Santa Clause. But while our understanding of the Santa Claus phenomenon evolved and matured, our theology remained somewhat infantile.

We need an understanding of God that holds up to our experience, and allows us to build a life around our faith. Armstrong points to the work of Gianni Vattimo and John D. Caputo as thinkers who embrace a way of seeing God that can speak to our time. She mentions in her notes a collection containing works by both of them, After the Death of God, edited by Jeffrey W. Robbins. I haven’t read it, but I’d like to.

This is how Armstrong describes Caputo’s view of our experience of God, and the unknowing that is “truth without knowledge”:

So how does Caputo see God? Following Derrida, he would describe God as the desire beyond desire. Of its very nature, desire is located in the space between what exists and what does not; it addresses all that we are and are not, everything we know and what we do not know. The question is not “Does God exist?” any more than “Does desire exist?” The question is rather “What do we desire?” Augustine understood this when he asked, “What do I love when I love my God?” and failed to find an answer.

An encounter with such mystery leaves us open, without certainty, thrillingly alive and humbled with awe. It points us to a reality that transcends our ordinary experience, calls us to be awake, and encourages us to seek ways of living out the ineffable truth that we are given.

Is it possible to live out this kind of truth in community? Can a church be built on faith that professes uncertainty and not knowing?

Learning to See

I enjoy taking pictures. It’s a pleasure to look at the world with an eye toward framing a photograph, and in that state of mind I tend to see more. Someday I might take a class or invest in a better camera, but in the meantime I just snap photos of what looks interesting.

So during a recent stay in an eighth floor hotel room I was glad for its view of the city, especially at nightfall. But when I pulled back the curtain with camera in hand, I found the scene obscured by water droplets and condensation. No good. With the window sealed so that it couldn’t be wiped clean, I would have to find another vantage point.

As I gathered my things for a trek down the hall, it seemed a lot of trouble to traipse around in search of a clearer window. But the light at evening had drawn me to look outside, the color and pattern of towers and skies held my attention, and I couldn’t resist trying to capture the image.

In looking for a better view, however, I was rejecting what I had already found beautiful. Photography helps me notice what’s in front of me, but it’s still easy to miss things. In this case I had only seen the foggy window as an obstacle and not part of the scene. I want to open my eyes and pay attention to the world I’m walking through. But that’s hard to accomplish with preconceived ideas about what’s worth looking at.

So I returned to the window and observed how the water on the glass reshaped the light from outside. I considered how the pane of moisture softened my perspective on the city. And I realized that for one evening, in that particular place, I didn’t have to resist the uniquely filtered view.

Is there something in front of you that you might cease resisting?