Feeding the Dark Hole

Recently I had a lesson in paying attention, something that turns up for all of us from time to time–without too much pain, if we’re lucky.

I had taken the time to fill my thermos before leaving home, planning to have an organized, have-it-all-together kind of day. Unfortunately, I didn’t take time to be sure it was sealed.

The good news was that my laptop in the same bag was unharmed, but that was because my papers soaked up the spilled coffee. Handwritten pages bled through most of the notebooks, leaving an ever more ghostly imprint on each leaf. It was a stupid mess, made by no one but me, and there was nothing to do but pull everything out and clean it up.

I wiped the cover of my computer and set out the waterlogged paper to dry. I used a paper towel to soak up the liquid remaining in the bottom, all the while appreciating the excellent design decision to make the lining black.

But as I dried the interior I felt something beneath the lining—actually several somethings crowded together under there. I checked the inside pocket and sure enough, found a hole. It was an opening in the bottom corner, hardly noticeable but plenty big enough for a pen to work through. I made the opening a little bigger until I could get my fingers around a pen that had fallen behind the lining, then another one, and another. Suddenly I knew why a whole package of my Pilot fine-point gels had disappeared.

 

 

But there was more—a bottle of lotion from the Hampton Inn, a package of Kleenex, two tubes of lip balm, and a card from Laudanum Printing that I kept as a reminder to check their Etsy site. There were several paper clips, Riccola cough drops, plus a Hall’s, a couple of Dove dark chocolates, a Luna bar, a shoe shine mitt from the Inter-Continental in Seoul, and a sealed bag of Bigelow’s English Teatime.

All these important items I had squirreled away, thinking they might be necessary, only to have them disappear into a black hole in my bag. Who knows how long I hauled this stuff around, completely inaccessible but crowding my space and weighing me down. If these things were so important, how could they disappear without my noticing?

I can’t help wondering what other long-forgotten necessities are crowding my life, or what else I’m lugging around in my metaphorical baggage. What’s really essential, right now? What would happen if I could pay attention, fix the hole, and stop feeding the bag?

Jesus and Jerusalem

During Lent this year I’m thinking a lot about Jerusalem in the year 30 or so. I’m meeting once a week with a small group to talk about the last week of Jesus’ life and the events leading up to the crucifixion, and it turns out you can hardly make sense of the stories without knowing something about Jerusalem and the practice of Judaism. A good map and some background information on the city’s history and politics helps. A book by Marcus Borg and John Dominic Crossan called The Last Week: What the Gospels Really Teach About Jesus’ Final Days in Jerusalem is also a good resource.

 

Jesus went to Jerusalem for Passover. Everyone did. The city of 80,000 swelled to a population three times its size during the festival. But why was Passover so important?

Some of us learned the story as children, but as an isolated and fantastical tale. To appreciate it we need to see the story within the bible’s overall narrative. In brief, God insisted that Moses lead the Hebrews out of their enslavement in Egypt. As Moses confronted Pharaoh, he brought down plagues on Egypt, demonstrating God’s power over Pharaoh and making the point that God’s people must be allowed to leave. There were frogs and locusts, boils and flies, and water turned to blood—ten plagues in all. Yet none convinced Pharaoh to allow the Hebrew slaves their freedom until God sent the final and most horrible plague.

The event that finally changed the fate of the Hebrews occurred with the final plague, which was the Passover.  The Hebrews were instructed to kill a lamb and ritually mark their door frames—the doorposts and lintel—with its blood. They were to roast the meat over a fire and prepare a meal to eat in haste. With no time for the dough to rise they were to bake unleavened bread, and be dressed to leave at a moment’s notice.

While the Hebrews were making their preparations, the Angel of Death was passing over the land, claiming the lives of the first-born sons throughout Egypt. Only those homes marked with the blood of the lamb were spared. As the cries rose from Egyptian households during the night, Pharaoh demanded that the Hebrews be gone.

The exodus that ensued was when Israel became a people. As they wandered in the wilderness they threw off their identity as slaves and formed a new nation. The Passover was an act of power that marked the Hebrews as God’s own people, singled out from those around them, and destined for their own unique place in history.

The celebration of Passover became a remembrance of what it meant to be God’s people, the heart of their religious identity. It remains such to this day. Perhaps the violence of the story is why we don’t dwell on it. We don’t want to think of God as sending an Angel of Death to anyone. Another discussion is the evolution in our understanding of how God operates.

What we have to remember if we’re trying to understand Jesus’ last week on earth, is that he was a faithful Jew. The scriptures he studied were the Old Testament, or Hebrew Scriptures. The practices he followed were shaped by Jewish law and liturgy. The religion into which he tried to breathe new life was Judaism. He was called Rabbi—a teacher in the Jewish faith. His actions in Jerusalem in the days leading up to his death show his love of, identity with, and vision for God’s people.

If we care about the events leading up to Easter we need to understand that they are entwined with Passover and the practice of Judaism.

 

The Way of Remorse? or the Way of the Open Mind?

When they said REPENT REPENT
I wonder what they meant.

Leonard Cohen
from “The Future”

 

 

This afternoon two young men knocked on my door. They wanted to tell me about their church a couple of miles away, and to ask me if I was 100% sure that when I die I’ll go to heaven. I told them I wasn’t 100% sure about much of anything, but that I believed God would take care of us.

I wish I had asked them why they felt they needed to go around scaring people. “Gospel” means good news, but there are Christian evangelists who want to withhold any good news until they’ve first convinced folks of their utter wretchedness. Unfortunately, they get a lot of air time.

These visitors showed up on the same weekend I was studying on the word “repent,” and learning that it’s considered by some to be a mistranslation of the Greek word, metanoia. From what I can tell, putting the wrong word in Jesus’ mouth has helped give rise to a version of Christianity that sends nice young people out to harangue their neighbors.

Repentance is a word bound up with a sense of remorse and sorrow. It’s about rejecting a former way of life, turning away from the wrong path and setting out on the right one. And sometimes that’s exactly what we need to do. There’s nothing wrong with talking about repentance, though it’s not a good way to start a conversation.

In the Hebrew Bible, or Old Testament, the word translated as “repent” means something like “to return,” or especially “to return from exile.” It’s not hard to connect this idea with turning away from a misspent life. Certainly it implies moving from a sense of desolation to one of belonging, which is a hopeful message. But even this is different from what is taught in the New Testament.

In the New Testament, the word translated as “repent” is metanoia. Scholars of the ancient Koine Greek of the New Testament say that it means changing one’s mind, or having a change of heart. It means suddenly seeing things differently, making a new decision in the light of new information. This article by Robert N. Wilkin offers some insight.

Wilkin points out that when the context makes it clear that the change of mind is in regard to sinful practices, then it’s appropriate to associate that change—turning from one’s sins—with a sense of regret or remorse about what has gone before. But there is nothing within the word metanoia itself that carries a sense of remorse in other contexts. It’s possible to simply act in a new way based on a fuller understanding, to see the light and make better choices.

So how did a word that means to change one’s mind come to be rendered as “repent”? Apparently the first Latin translation of the Greek used paenitentia, or “do penance” in English—a strange and harsh translation. But it was preserved in the first English translations, which were made from the Latin, not the original Greek. Tyndale’s English translation in 1526 changed it to “repent” instead, which at the time was an improvement. The King James Version retained “repent” and the translation has endured.

Wilkin says, “Nearly a century ago, in The Great Meaning of Metanoia, Treadwell Walden decried the Latin and English translations of metanoia as being ‘extraordinary mistranslations.’ I would agree.”

How many messages of “Repent!” have been shouted from pulpits and soap boxes, or delivered with an unexpected knock at the door?  When all the while, the more authentic translation of Jesus’ words, and the message repeated in strong and loving churches, is more like:

“Keep an open mind!”

“Be willing to see things differently!”

“Encounter the world in a new way!”

“Don’t be limited by what your life has always been!”

“Consider a new perspective!”

“Open your heart to change!”

 

 

Work is Love Made Visible

Years ago, when I was doing a lot of calligraphy, I lettered a gift for my son’s elementary school teacher. It was a line from Kahlil Gibran: Work is love made visible. As an at-home mother doing unpaid work, I found encouragement in those words. They also spoke to the way this wonderful teacher gave so much of herself to her students. She brought out the best in them, and inspired me as well.

My Calligraphy Tool Drawer

I happened to see her last week at the gym, where she told me that she still keeps that piece of calligraphy on her desk. I’m touched that she still values it after all these years. The idea of work and love being connected remains meaningful to me, though I think about it in broader ways now that my children are grown.

Gibran not only speaks of where the best work originates, but offers a different way of understanding the purpose of work. His is a world view that values the heart more than remuneration. It views life as more than a market exchange, and sees work as an offering, not a commodity.

This perspective is a lifeline when we’re trying to create something new. In a world that measures the value of work by the price it brings in the marketplace, creative effort with no guarantee of reward can look like a waste of time and energy. Showing up to work when there’s no certainty of the outcome requires ignoring the clamor of the buying and selling, and placing ourselves in the service of something else. It can feel pretty risky.

Gibran understands that submitting to the work we are called to do is an act of devotion. We manifest love of life, of other people, of art, and of the divine spark in creation, when we undertake our work. What I’m realizing these days is that an artist’s work, too, is love made visible.

In Matthew, Jesus is quoted as saying, “Therefore I tell you, do not worry about your life, what you will eat or what you will drink, or about your body, what you will wear. Is not life more than food, and the body more than clothing?” Materialistic priorities get in the way of seeking a rich spiritual life, or what he calls the kingdom of God. Over and over, he tries to get people to see that through dwelling more fully in the spirit we find not only our truest self, but the essence of life, and joy, and meaning.

His teachings help us focus on the work in front of us, apart from its material reward: “So do not worry about tomorrow, for tomorrow will bring worries of its own. Today’s trouble is enough for today.”  We can’t make the world praise or even accept our work; we can’t expect the market to validate our efforts. We can only do our best at the effort we’re making today.

We’re all asked to look at the world with love, to listen for the ways it calls us, and to respond as best we can. That call and response depends on where we meet the world, on our gifts and circumstances. It can take unlimited forms.

But in whatever way we respond, answering that call becomes more meaningful, and perhaps somewhat easier, in remembering that we are trying to manifest a spark of the divine—to find a way of making love visible.

Following a Guiding Star

We’re approaching Epiphany on January 6—the twelfth day of Christmas, or “old Christmas” to some. I hear the word epiphany used mostly in the context of literature, probably because real-life epiphanies are rare. It means a flash of insight, a sudden revelation about the true nature of things. Something happens that triggers a new way of seeing things, a new level of understanding. A perspective that was previously unattainable suddenly becomes the new reality.

Photograph from the Hubble Telescope

 

Epiphany as a holiday, or holy day, recalls the story of the Magi from the East who, in seeing a new star at its rising, discerned that a very special child was born. The child’s star was such a powerful sign it moved them to set out on a long journey, following the star as it led them to see for themselves the hope that had come into the world. When the star stopped over the place where the child was, they were filled with joy. They entered the house and saw him with his mother, Mary, then knelt before him. Their appearance honored his singular fate as they offered him precious gifts of gold, frankincense, and myrrh.

Who couldn’t use an epiphany? We stand in need of a higher mind, a broader perspective. Or at least an idea we haven’t thought of before. Both individually and collectively, we live with conflict that seems irresolvable. One worthwhile goal can undermine another. Resources are limited but needs go on and on. The realities of life don’t fit together in a way that makes sense. How can a king be born in a stable? How can one who dies on a cross be a savior?

Carl Jung taught that learning to live in the dualities that life deals us is how we grow. We’re pressed to develop a broader view that somehow encompasses both. But there’s nothing comfortable about it. When we can acknowledge the individual value of those things that exist in tension, rather than rejecting one or the other out of hand, there are no simple answers. But in living with that complexity, rather than forcing an artificial simplicity, we become better, deeper, more thoughtful, more compassionate people.

As we move toward Epiphany, and into the new year, what kind of guiding star are we following? What is the vision that calls us to lift our gaze upward, above the daily routines, to cross the desert and move toward hope? What do we need to see for ourselves that will give life meaning? These questions aren’t easy, either. But in asking them perhaps we invite the possibility of Epiphany.

As Summer Ends

We had a cool snap here in Central Kentucky this weekend. Combine that with the start of school coming up and we’re on notice that here in the fullness of summer, fall will be upon us soon. Not that it comes as a surprise, but every year it takes more than store mannequins dressed in wool for the reality to sink in.

 

 

Another summer is slipping away, but I’m holding onto the fragrance of rosemary under the afternoon sun for as long as I can. Time passes but when it’s infused in red wine vinegar, thyme can linger a while.

How was your summer? It’s a natural enough question to ask during a season of transition. But there’s another question behind that one. What was your summer? Did it bring what you hoped for? Did you plant a garden—literally or figuratively? Did it thrive? What did it yield? Did you learn something, do something, enjoy something? Did you fight weeds, endure drought, manage to keep something alive?

For those who preserve their garden’s abundance, rows of canning jars or packet-laden freezers mark the summer’s accomplishments in a tangible way. I’m making herb vinegars this year, but summer’s end is more a matter of stocking the psyche’s pantry for the months ahead. It’s been good to spend time with those I love, pursue creative work, and clear out some clutter. I hope to keep those fruits of the season with me, and I hope you have a harvest to enjoy as well.

Is there anything else to do before summer ends? What shall we take on this fall?

Abundance in the Ordinary

Last weekend was my daughter’s college graduation—a festive, joyous, exhausting two days of observing the rituals, celebrating the accomplishments, savoring the moments, and packing up the contents of her dorm room as she leaves college behind.

In the midst of it all was a baccalaureate service with remarks by Rabbi Joe Rooks Rapport, who also happened to be another proud parent of a graduating senior. One of the things he spoke about in his address was the power of simple events to deeply affect our lives, and how sharing ourselves in ordinary ways can profoundly affect the lives of others.

He spoke on a quiet story from Genesis where Joseph, the dreamer, sent by his father to find his brothers, is wandering through a field on his search. When a man appears and asks where he is going, Joseph describes his task and asks if the man can help. Indeed he does know where the brothers are and directs Joseph to them. It’s not a dramatic story in itself, but it leads to the events on which a nation’s survival depends and a history in which its identity is forged.

This turning of events on such an unremarkable occurrence reminds me of the familiar poem by William Carlos Williams:

So much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens.

A person’s life can pivot on events that seem small at the time, on a moment as simple as receiving directions, on a tool as humble as a wheel barrow, or even the wheel on which it balances.

The rabbi reminded us that we’re walking around like jigsaw puzzles, with everyone missing some pieces and also holding parts that belong to someone else. These extras usually don’t seem worth much to us, they’re just something we carry around. But when we offer them to the right person their value is extraordinary.

It may not seem life-changing to tell a friend we believe in her when she feels defeated, or to talk to a student about our chosen field, or to offer some direction when we know the way. But we never know what might be the point on which someone else’s life turns. If we pay attention, we might see we’re in a position to help.

Acts of generosity help to heal the world in the only way it can be healed—one heart at a time. So we offer what we have and let the abundance of creation multiply those gifts.

To use a New Testament illustration, each of us carries around loaves and fishes that can go a long way.

Happy Mothers Day

I thought I’d share with you the bouquet that’s brightening this rainy morning.

Have a wonderful Mothers Day!

And if you’re interested in reading about keeping sourdough starter, as well as a creative life alive, I have a new post up at the KaBooM Writers Notebook. It’s called “Creative Starter.”

 

Art and Sanctuary

Last weekend I had the pleasure of hearing a folk music performance that happened to be given in a church sanctuary. The setting had me thinking about the idea of sanctuary and how it is created—or at least invited. Even more, as the evening progressed I was able to experience the mysterious arrival of that sense of sanctuary as it permeated the room.

I didn’t know the music of Iris Dement before I saw her perform, but I was immediately charmed by how she connected with her audience. She shared how vulnerable she felt coming out from behind her piano to face the crowd with only a microphone stand and a guitar to “hide” behind. And when she mused aloud about her songwriting prowess, asking “What is the opposite of prolific? Because whatever that word is, that’s me,” I was taken by both her understanding and her acceptance of herself.

The venue was the historic downtown First Presbyterian Church, where stained glass and ornate wood carvings spoke of the long traditions that shape Christian worship. “This pretty room,” Iris Dement called it, in a way that appreciated her surroundings even as she resisted their traditional gravity.

She spoke of her family, and the songs she shared about them honored those lives who so clearly informed her own. She alluded to her spiritual journey, remarking that in reading back through the stories in the Bible, “I found that I didn’t love them as I used to” except for the one she wrote about: the parable of the good Samaritan.

In sharing so much of herself as well as her music, she drew her audience close. She exuded both humility and strength, presenting herself simply as she is. I don’t know her story, but I know that kind of firmly rooted stance is hard-won.

The architecture and design of the space we were in brought forward the idea of sanctuary, a word that sets out the spiritual aspirations for the place. It’s meant to offer a respite from the clamoring world, a place where we can hear the still, small voice that reminds us who we are and where we can find the heart of life.

But on that evening, the experience of a sacred space apart from the world was ushered in by this talented musician whose maturity as a person as well as an artist enabled something rare and wonderful to happen in that setting.

Art at its best creates sanctuary. An artist who grapples with what matters most, then brings skill and dedication to expressing what she encounters, offers work that can elevate our lives. Art in all of its forms invites us into a space apart from the schedules we keep and the demands we meet, where we can be refreshed by the encounter with another soul. It brings the renewal of spirit we sorely need to live our lives the best we are able.

Worship at its best works this way, too. It’s an art form in itself, enriched by architecture, music, language, and dramatic ritual. Good worship depends on good art. Meaningful worship, like meaningful art, is soul work. The encounter that happens through that work, whatever the setting may be, is where we find sanctuary.

Sanctuary is a gift. We invite its presence by the deepest human work we do, but when the spirit of sanctuary descends, with the peace that passes understanding, it is a gift of grace. May we find those spaces in our lives that quiet our minds and soften our hearts. May we know sanctuary.

The Subtle Growth of Eastertide

The only Lenten observance I took up this year was recognizing that I had too many commitments. I’ve begun teaching religion over the past few months, while trying to continue with everything else I’d been involved with before. Obviously that’s impossible—the silence here at Mildly Mystical helps make the point. But it took a while for me to realize it.

So Lent was a time of paring down, letting go of some of the responsibilities I’ve been involved with. It’s not easy to do when those things mean a lot. But it’s necessary.

What I didn’t expect was the further, drastic paring down that would come in the wake of a knee injury. I spent over two weeks on crutches, unable to drive, and negotiating the stairs in my home only with great difficulty. Under those circumstances, life constricts to the basics in a flash.

Fortunately, the setback is temporary and I’m improving every day. I’m grateful for this, and for the care and support of family and friends who have gotten me through this rough patch. It’s a reminder of what is and is not essential in this life.

So this year, the theme of paring down has been imposed not only on Lent, but Holy Week and Easter as well. I didn’t make it to Easter services, but in the week since then I’ve gradually been able to do some everyday things—really mundane stuff, like loading the dishwasher and walking down a flight of stairs. There have been no sudden transformations, only the slow progress that comes from gaining strength and confidence. I have a long way to go before I resume the two-mile walks I enjoy, but at least I’m walking without crutches and driving again. In those moments when I feel impatient to get to where I want to be, I try to remember how far I’ve come.

The work of transformation is slow, and many of its stages can’t be observed. The changes we do see take time to adjust to, as well. I kept using a crutch after the point it was absolutely necessary, because walking without it made me feel so vulnerable. Change is difficult, but somehow we keep expecting it to be otherwise.

Even with the celebration of the ultimate transformation, at Easter, we approach it as if the new reality were instantaneous. We condense the mysterious remaking of the disciples’ world into a single worship service, a morning’s event, then go home as if it were finished. For most of us last Sunday was a long time ago, and by now Easter is over.

But the bewilderment and doubt, fear and uncertainty, as the followers of Jesus tried to understand what was happening were not overcome in a morning or a day or a week. There were no instant explanations of their experiences and their path was in no way clear. It took time for them to absorb what was happening and decide how to respond. It’s the same with us.

The liturgical calendar calls this time Eastertide, in recognition of the time it takes for Easter to be absorbed, recognized, and lived. That’s where we are now. Eastertide is ongoing.  The spirit remains at work in us, and seen or unseen, the mystery of our healing, our growth, and our transformation unfolds. It’s a season of leaving crutches behind.