Make Us Free to Dare and Dream

May 14th, 2010 | Click to Comment

Graduation day at Lexington Theological Seminary is announced with bagpipes. The piper, in full regalia, fills the air with tradition. The past is present as we look to the future. Today the Class of 2010 walked down the green hill of the LTS campus and across South Limestone, led once again by the piper, Will Young.

The sound of the bagpipes carries, whether across the moors or across a busy city block. The tones evoke a sense of ancient memory and speak of spiritual longing. The graduation procession winds down the hill, leaving the campus of the seminary—a fitting ritual for commencement. The traffic of modern life pauses for a moment as the line of choir, faculty, trustees, and graduates threads its way across the busy street to the swell of the piper’s chords.

The church has been changing for centuries upon centuries, and the education of its ministers has changed as well. Those connected with LTS are now living through the necessity of change, its uncertainty, and the arduous effort it requires. The seminary is making a transition into new ways of reaching and educating students, and the churches its graduates serve will be finding new ways to reach out and to embody Christ in the world.

Through all the change, we continue to be shaped by memory and longing. The wail of the bagpipes is a way of describing the place where we stand. In our own lives, and in the lives of the institutions we foster and depend on, we stand between what has been and what will be. We hold the teachings and traditions we have received, with our hopes and longings for the world we want to see shaping the way we pass our faith along.

It was a privilege to hear Rev. Dr. William L. Lee, Senior Pastor of Loudon Avenue Christian Church in Roanoke, Virginia give the commencement address. He spoke about the power of being “Chosen,” and the responsibility and accountability that comes with such a designation. He reminded the graduates: you have not just been invited—you have been chosen. Jesus has done the choosing; he knows you for better or worse, and yet he chose you anyway. He sees in you what you cannot see in yourselves. So don’t dwell on what you are not; focus on what you have. God’s grace will always be greater than any failure. And when you no longer believe in God, know that God believes in you. “God knew just what she was doing when she laid hands on you,” he assured them. You can know that, because you have been chosen.

One of my favorite aspects of the LTS graduation ceremony is the hymn, “God of Wisdom, Truth, and Beauty,” sung to the tune of Beethoven’s “Ode to Joy.” It names God in fresh and revealing ways, ascribing divine presence to a vast scope of human endeavors. It offers encouragement to all of us who stand in the transition between what has been and what will be. I leave you with these word to the hymn below:

God of Wisdom, truth, and beauty, God of Spirit, fire, and soul,

God of order, love and duty, God of purpose, plan and goal;

Grant us visions ever growing, Breath of life, eternal strength,

Mystic spirit, moving, flowing, Filling height and depth and length.

*

God of drama, music, dancing, God of story, sculpture art,

God of wit, all life enhancing, God of every yearning heart;

Challenge us with quests of spirit, Truth revealed in myriad ways,

Word or song for hearts that hear it, Sketch and model—forms of praise.

*

God of atom’s smallest feature, God of galaxies in space,

God of every living creature, God of all the human race;

May our knowledge be extended, For the whole creation’s good,

Hunger banished, warfare ended, all the earth a neighborhood.

*

God of science, history, teaching, God of futures yet unknown,

God of holding, God of reaching, God of power beyond each throne;

Take the fragments of our living, Fit us to your finest scheme,

Now forgiven and forgiving, Make us free to dare and dream.

***

Comments (0) | Creativity,Finding Courage Tags: , , , ,

Love Letter to Leonard Cohen

April 25th, 2010 | 3 Comments

Dear Leonard,

If I may call you Leonard—I don’t want to presume. It’s hard to know how to address you, of whom I am in awe. But “Mr. Cohen” seems terribly distant for someone who has touched me deeply, though we’ve never met.

The part of me that navigates everyday life feels silly about this endeavor, as if what I wrote about you in Responding to Beauty should have been enough. But the self that finds this letter necessary is driving. I’ve lived well into my forties without writing a fan letter to anyone, but apparently it’s time.

Yesterday I sat behind the wheel on Chinoe Drive waiting for the light to turn. I was listening to your Live in London recording, as I’ve been doing for many days now. But in that moment, as you spoke the words to “If It Be Your Will” I felt a piece of the great puzzle slip into place, easily and exactly. When the tears came, I had to find some way to respond, though it’s hard to know what to say. A connection, with another person, with the divine, is a gift that goes beyond words.

The crowd in London enjoyed your turn of phrase in “The Tower of Song” about being born with this golden voice. I take pleasure in the laughter and the line, and in how they turn back on themselves. Because your voice is truly golden: black gold, like coal. It lies beneath mountains to the east of here worn smooth by the passing of eons; it’s brought forth at great risk to the miners who work those underground seams. A chunk of coal is beautiful—dark and shining—with edges that cut the skin, and dust that marks a blue tattoo when the wound is healed. It yields heat beyond most anything else that burns. Not unlike art, sometimes. Like yours.

Your voice rumbles up from deep within, where the soul lies longing to rise. Your songs walk the earth with an ear attuned to the whispers of angels. They draw me in, break me open, and give me a heart of flesh.

I can’t help but wish I’d known you years ago, but won’t complain because I’ve found you now. What better time exists, for anything at all?

I don’t expect these words to reach you, but nonetheless I will say I’m grateful for the gifts you share. And if some sense of my heartfelt thanks were caught by the breeze to carry a blessing for you, an echo of the blessing you have been for me, I would be glad.

Thank you for your beautiful work. May you be well.

Yours sincerely,

Susan Christerson Brown

Comments (3) | Creativity Tags: , , , ,

Meeting Beauty Halfway

April 16th, 2010 | 2 Comments

It doesn’t seem hard to find beauty in springtime. The world is woozy with blossom-scented air; flowering branches shower the earth with petals. The breeze carries birdsong and life is abundant again.

But I keep thinking about your thoughtful responses to my previous post. The insights there remind me that it’s a gift to be able to appreciate these things, and that there have been times when the capacity to enjoy them has been beyond me.

I know what it’s like to miss out on spring, worried about something going on, or not going on, in my life, or even how I’ll look in summer clothes. Being blinded by those concerns, large or small, is a kind of imprisonment. Life can be hard, and even harder when the restorative experience of beauty is beyond our reach. The view is oppressive when we can’t see past ourselves.

It’s good to do what we can to be open to beauty, to try to meet it halfway. But when our own efforts aren’t enough to haul us out of a dark place, the possibility remains of being seized by something beautiful. It can break through walls we didn’t realize were there, and reveal something wonderful about this world. Beauty seeks us out, calls to something within us, urging us to open our eyes and see.

When I watch the light recede from the landscape and gather in the sky before dark, nothing seems more important than the changing color on the horizon. I don’t know what allows me to be caught by the scene. Maybe I’ve learned something about getting beyond myself, or maybe the patient presence of beauty through all these years has finally permeated my distracted mind.

At least I understand enough now to be grateful for the light, and also for the ability to notice it. I try to pay attention, but I don’t know whether appreciating a glorious sky is a reward for my efforts or simply the creation shaking me awake. In either case it’s an unearned gift. In either case I’m grateful.

Have you experienced something beautiful lately?

Comments (2) | Creativity Tags: , , , ,

Responding to Beauty

April 14th, 2010 | 7 Comments

Early in his life, Leonard Cohen prayed to be able to make some response to beauty. I’ve been dwelling in the richness of that statement for days.

To utter such a prayer is to already have the grace of appreciating beauty, of having one’s eyes open to its presence in the world. And to ask for a way to respond is an enlightened longing. It does not seek to possess what is beautiful, to claim beauty for oneself. It measures value according to something beyond what serves an individual life. It asks for the power not to claim creation, but to participate fully in it.

The power and complexity of Cohen’s work, the ability of his music and lyrics to break open the heart, is a testament to his answered prayer. He looks hard at life, all of it, and makes of it something mysteriously, achingly beautiful. His work makes me want to live in poetry, even though he says of poetry that when your life is burning well, poetry is just the ash.

If his poetry is ash, then his life has burned like the bush Moses encountered.

The Holy Spirit moves in wonderful ways, including through friends who put amazing things into my hands. The film, I’m Your Man, is such a gift. It’s a moving film, featuring interviews with Leonard Cohen and performances of his music by various artists.

His breathtaking song, “Hallelujah,” has been performed by many talented people. Jeff Buckley’s rendition is wonderful. And there is nothing like its powerful performance by Cohen himself.

What shall we pray for? And how shall we respond to beauty?

You might be interested in reading my Love Letter to Leonard Cohen.

Comments (7) | Creativity,Prayer Tags: , , , ,

Beyond Personal Growth: Trusting the Mystery of Transformation

April 1st, 2010 | 9 Comments

It took a long time to make much progress through John O’Donohue’s Anam Ċara: A Book of Celtic Wisdom. I mean that in the best of ways. The Gaelic term, anam ċara is literally “soul friend,” and if books can be friends, this is such a one. Most pages hold something rich enough to send me off thinking about it for a while. I’ve kept returning through about two-thirds of it now, and today this is the passage on my mind:

Spirituality is the art of transfiguration. We should not force ourselves to change by hammering our lives into any pre-determined shape. We do not need to operate according to the idea of a predetermined program or plan for our lives. Rather, we need to practice a new art of attention to the inner rhythm of our days and lives. This attention brings a new awareness of our own human and divine presence.

A willingness to grow is a good thing, but the programs and plans available to encourage our development are overwhelming. Bookstore shelves teem with personal growth books, religious and secular, as if we can’t stop flagellating ourselves with agendas for self-improvement. And yes, I’m familiar with these store displays because I’m irresistibly drawn to them. It’s hard to pass up some bit of wisdom that will make me more capable, more fulfilled, more deserving. When an article promises to share Five Steps to Happiness, I can’t help but read it.

I want to grow, but I’d prefer to do it without all the messy uncertainty and annoying unpredictability of not knowing the way. I would love to learn what to do and just do it. But O’Donohue spells out what’s lacking in such a prescribed approach:

It is far more creative to work with the idea of mindfulness rather than the idea of will. Too often people try to change their lives using the will as a kind of hammer to beat their life into proper shape. The intellect identifies the goal of the program, and the will accordingly forces the life into that shape. This way of approaching the sacredness of one’s own presence is externalist and violent. It brings you falsely outside yourself, and you can spend years lost in the wilderness of your own mechanical, spiritual programs. You can perish in a famine of your own making.

Creating, growing, transforming—these are all mysterious processes. They happen underground, in the depths, in the dark. Paying attention while a process unfolds that we can neither control nor rush is a counter-cultural way of life. It can be hard to learn and harder to trust.

But if we lose faith and limit ourselves to the kind of processes we can control, we banish ourselves to the wilderness O’Donohue describes. Will power is hard work, and doesn’t make for a very joyful life. Maybe it’s trust power I need to work on.

What kind of power keeps you moving forward?

Comments (9) | Books I'm Reading,Creativity Tags: , , , , , , ,

Post Cards from the Divine

March 16th, 2010 | 2 Comments

Names for God: Part 1 of a Series

I had seen reproductions of Vincent Van Gogh’s paintings long before visiting the d’Orsay in Paris, so I expected that viewing his work would be an encounter with something familiar. It never occurred to me that the originals might hold so much more than those reproductions could show.

It left me completely unprepared for the experience I stumbled into. I was stunned by the vibrancy, riveted by the color. The skies he painted came at me like a physical force.

Maybe it was having recently enjoyed the saturated blues of Mediterranean evenings; maybe it was the mindset of a traveler taking in everything new. I don’t know what opened me to the power of Van Gogh’s canvasses, I only know that I have never experienced color the way I did standing before his paintings. I have never had a sky brought to life and emblazoned on my mind in the same way. For twenty or thirty minutes I couldn’t take in anything else. I was left with an image, or more specifically a color, that overtook everything. That blue.

I bought post cards before leaving the museum—replicas of some of the paintings I had seen. They were pale imitations; the colors were wrong, the depth flattened out, the life drained. The reproductions were just reminders of what I had seen, nothing like standing in front of the real thing. But nonetheless I’m glad for the mementos. Years later, the post cards help me remember the experience of taking in the works of art and being moved by them.

I framed one of the Van Gogh cards and placed it on my desk. I love the image, the color, the conveyance of light, the sense of shelter. It gives me pleasure. I enjoy the framed post card, but it only hints at the power of the original. It doesn’t begin to reveal the divine inspiration Van Gogh conveyed on canvas. And I suspect that even his amazing painting would have fallen short of fully capturing the inspiration he felt, as works of art tend to do.

The words we use to talk about God are a lot like that framed post card. Our names for God are accessible, we can make them part of our lives, they hold meaning and beauty. We fit them into frames on our desks—in readings and hymns, conversation, worship and prayers. But we miss out when we confuse those names with the real thing. We cut ourselves off from the experience of the divine when we think that the little image in the frame is the object of our longing or the expression of our desire.

We need names for God, yet any name for God is a placeholder, a reminder of what will not fit in the frame, what cannot be named.

Is “God” a name that suggests the ineffable for you? What name are you drawn to using?

You might also be interested in:

Part 2: Naming the Ineffable

Part 3: The Kaleidoscope of Divine Names

Comments (2) | Creativity,Paying Attention,Soul Tending Tags: , , , ,

The Need for Retreat

February 26th, 2010 | 2 Comments

I’ve been working with other members of The KaBooM Writing Collective this week, planning a one-day writing retreat that happens tomorrow. It’s exciting to work with the possibilities that a day can hold, and I look forward to what will happen during those hours.

Retreats of any length are all too rare. A week or month is the classic model, and good to aspire to. But it’s not easy, and often not possible, to check out for so long. Shorter retreats are more accessible, though finding even a single hour out of the day’s course can be a challenge. An entire day is a pretty big deal for most of us, and I appreciate those writers willing to set that time aside.

Claiming any time at all requires attention and commitment. Even the intention to retreat is evidence of a change we’re already making.

Once we do that, a retreat unfolds differently from everyday hours. It’s a time entered hopefully, with openness to surprise; it’s lived out expectantly, but without an agenda. Retreat is a time we prepare for, but without planning what will transpire. It’s a time of asking a question and waiting for the response; allowing something new to happen and paying attention to the movement of the spirit.

We need to enter that mindset often to keep our spiritual and creative life nourished. Prayers and practices in everyday life help. But looking back I see important growth, in both my spiritual and artistic life, from the renewal that comes from retreat. Time taken off from “being productive” ends up generating the most productivity of all.

So I see the day as full of possibilities. We’ll enter our writing through the doorway of the senses, bringing life to words by being centered in the body. We’ll ground ourselves in a particular moment through focus on the physical, sensory experience of being alive. The context of a day of retreat adds another element as well: a chance to connect to the spirit that breathes life into our lives and our work.

The question I’m asking is, What new opening will the day bring?

Comments (2) | Creativity,Soul Tending Tags: , , ,

Divine Inspiration and Everyday Incarnation

February 23rd, 2010 | 2 Comments

These days I’m living in the tension between inspiration and productivity; between drawing water from the well and hauling it home to cook and wash. There are so many things I want to do, but the hours and energy of the day are spent before I can see to them all. I love being in touch with the creative spirit, yet I’m overflowing with plans and ideas that I can hardly carry out. It’s hard to bridge the gap between ideal and actuality, vision and incarnation.

I’m also trying to remember that this challenge is a blessing. I’ve had my share of wandering in the wilderness, wondering where the path was leading. Chances are I’ll experience the wilderness again. But for the time being I have meaningful work to do—an assortment of conversations, projects, and explorations. On the surface they seem unconnected, yet together they impart the sense of gathering energy.

It’s good to feel that generative flow—what we call the Holy Spirit at work. It has been moving all along, bringing me to this place, but now it’s easier to see. Gratefully, I’m trying to pay attention to the work I need to do. And I’m trying to go with the flow.

What if we could always remember that we’re being led to the place we need to be? That we are part of the ongoing work of incarnation?

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