Winter Solstice and Rebirth

We’ve reached the Winter Solstice, shortest day of the year in the Northern hemisphere, bookended by the longest nights. Oh my. Last night brought a lunar eclipse as well, though the heavy cloud cover discouraged me from getting up in the middle of the night to watch.

I’ve observed other eclipses of the moon, fascinated to see the shining orb slowly overtaken by shadow. In spite of understanding the phenomenon, it’s an emotional experience to see it happen. There is a kind of visceral drama in its disappearance and the wait for that first sliver of its return.

The eclipse is similar to the drama of the winter solstice, but in condensed form. The light slowly disappears and we anxiously await its return. As with every kind of darkness, we need the gift of faith and the reassurance of ritual to make it through.

The sun at its farthest point from us, the winter just beginning, we have a long way to go. For the most part we accept the rhythm of the seasons, adjust to the routines shaped by shorter days and longer nights. And in celebrating the completion of these longest nights we know that this, too, shall pass.

The light returns incrementally, but the cumulative effect of those small changes transforms the seasons. Tomorrow the earth and sun begin their course toward summer—a marvelously hopeful thought, however long the journey may be.

It has me thinking of the power of committing to steady movement in a particular direction over time. Apparently it’s natural to remember that this time of year. The rebirth of the sun through the Winter Solstice, the rebirth of divinely inspired possibilities for human life through Christmas, the rebirth of the year and all that it contains through New Year’s—the idea of renewal is a thread weaving through all these holidays. Here in the dark of winter is energy toward rebirth. Hallelujah!

What kinds of new possibilities might be germinating in the dark?

Prayer for a Grieving Friend

In recent weeks, several friends have experienced a profound loss of one kind or another. In the midst of a celebration of light, their worlds hold a great portion of darkness. The contrast can make this a difficult season. This post is a prayer for those who grieve, especially during this season, and for the friends and loved ones who long to comfort them.

Through this dark valley I would ease your way,
reassure you of the goodness of life,
even of your life.
But I have not traveled this path you tread,
nor learned the reach of these shadows.
All I can do is walk with you,
both of us stumbling,
certain only that we will be sustained
by powers beyond our imagining—
by life and love, light and hope.

May the Spirit of Life lend its strength,
enfold and uplift us with warm embrace.
May the Spirit of Love tend wounded hearts,
that healing and tenderness may abide.
May the Spirit of Light show us the way—
one step at a time is enough.
And may the Spirit of Hope sow its seeds,
to open in the mysterious dark
and emerge as new life
in the spring that will surely come.

Susan Christerson Brown

Reflecting the Season’s Light

“Are you ready for Christmas?”

The most recent place I heard this question asked was in a department store, appropriately enough. It’s a conversation opener this time of year, a December version of “How are you doing?” Behind the question looms a checklist of things to accomplish for the celebration to be complete.

A friend with three children looked at her calendar a few days ago and realized that her family had so many scheduled activities there were only two nights free between now and Christmas. She wasn’t complaining, just gearing up for the pace set by the intersection of family and holidays.

Here in the Northern hemisphere the days have grown short, night falls early, and we try to keep too busy to notice. We lean into our Christmas celebrations like plants growing toward the sun. We’re drawn to outdoor displays of light, Christmas trees twinkling, and candles glowing. Ornaments and wrappings made to reflect the light shine out from every corner.

Of course we’re drawn toward warmth, light, and joy. We look forward to the gatherings, performances, and rituals of the season. They dispel the dark. We follow the star this time of year, keenly aware of our need for the Light of the World.

The liturgical year sets aside these weeks leading up to Christmas and gives the season its own name—Advent. It is a season of anticipation.

Advent is not about creating Christmas, it’s a time of preparing for something beyond our ability to bring about. In the darkest time of the year comes a new birth, the renewal of life and of light. We honor it with our celebrations, but that spirit of new beginnings is more powerful than anything we can make. It’s the gift of life and growth, which begins in the depths beneath the surface of the earth, or of our lives.

Our celebrations are like the ornaments reflecting light. We can make the world brighter, better, even more merry. But it’s not up to us to generate the light. It’s good to remember that we only have to reflect Christmas; it’s not our job to create it. Knowing that makes it easier to lighten up.

What brings the season’s light to you?

Getting Past What We Think We See

I’m fascinated by this optical illusion.

I’m so sure of what I’m seeing here—a gray and white checkerboard—I can hardly believe the demonstration showing how it’s not that simple. Certainty encourages me to dismiss any new information. It limits what I am able to perceive. I can barely take in the information that challenges my understanding because I “know” what I saw. But it turns out I was wrong.

Hmmmm.

I wouldn’t want to go through life never trusting my sense of how things are. I need to rely on my perceptions to get through the day. But I also know from experience that certainty can be misplaced. Past choices that seemed perfectly clear at the time had far more room for questioning than I was able to see. I know now that I knew less than I thought I did back then, if you can follow that convoluted sentence.

But I was generally doing the best I could with what I had. Who can do more than that? It’s what we all do. But it would have been better to ask if there were more to know than what meets the eye. I might have made better decisions if I had been willing to test my assumptions.

Yet even in our lack of wisdom and experience we are given an inner sense of when things are out of balance. When our misperceptions matter, life provides indications that we need to pay closer attention. They accrue until we finally notice.

Within us is a life force, a holy spirit, urging us forward and helping us to transcend illusion. Often it speaks with a still, small voice that helps us know what we need to know, even when thoughts and perceptions are confused. Occasionally it jolts us into waking up to what is going on around us.

Could it be that this clever video is speaking to us of such things, even now?

And if you still don’t believe the squares are the same color, check out this demonstration:
The Checker-Shadow Illusion

The Volunteer Blues – What Work is Worth Doing?

The world rests on work that happens outside the realm of work for hire. Family life, civic and religious life, community life of all kinds would disintegrate without it. Society benefits richly from the people and organizations bolstered by such work, but most of the rewards for doing it are strictly internal.

The dedication, creativity, and strength required to raise a family or tend a volunteer organization are unrecognized in economic terms. The work of counselor, organizer, or visionary is valued in the marketplace but seldom acknowledged, much less rewarded, outside of it. Even our president was dismissed and derided by some for his time working as a “community organizer.”

In a world that measures worth by paycheck and position, it seems miraculous that people give so much of themselves to monumental effort that is economically worthless and socially invisible. There may be some intrinsic payoff, but a great deal of the work is anything but rewarding—at least in the short term. Yet they, we, choose to do it. Amazing.

Responsible people take on difficult situations in all kinds of contexts, many of which are frustrating, unpleasant, and hurtful. “It’s part of the job,” they say, acknowledging the balance of good and bad that is part of their position and livelihood. But when the “job” has no pay, no cumulative value as professional experience, and little or no appreciation, it’s hard to maintain that equanimity.

Martyrdom in the service of anything less than the ultimate good seems to me like wasted life. And much of the time it’s hard to know what such an ultimate good would be. But when there’s a choice about what work to do, it makes sense to exercise some discernment about that choice.

I love Bob Dylan’s song, “You Gotta Serve Somebody.” He tells us “It may be the Devil, or it may be the Lord, but you’ll have to serve somebody.” It’s true, but then there’s the problem of figuring out which is which.

What really, truly counts as working for the greater good? What is the measure of good work? What is worth serving? These aren’t rhetorical questions. This week, I really don’t know.

Everyday Rituals

Lately I’ve been thinking about how a task can be transformed by a sense of ritual. Ritual lends weight to what we’re doing. To clear space in our mind and schedule for a particular task is to acknowledge its importance. It says there is nothing we should be doing instead, and no reason to hurry through this moment on the way to the next thing. That alone is a relief, and all too rare. Ritual invites us to be fully present, to set aside anything else pulling at our attention and focus on the one thing in front of us.

Cooking dinner can be that kind of experience on days when I clear the countertops, turn on “All Things Considered,” and set aside the time to chop, saute, and simmer. Other days it’s a chore I squeeze in between other things, hurrying on to the next thing I need or want to do. The difference is whether I make space around it and become present in doing it. Ritual encourages presence, attention.

I remember as a child watching my father polish his shoes. He had a box where he kept everything he needed: the round tin of dark polish, the cotton rag saturated with its orange-brown color and oily scent. He would spread a newspaper on the floor to mark his work space, then open a tin and rub the cloth over it in a circular motion. After he worked the polish into the leather he would take up the wide wooden brush with soft black bristles, placing his hand inside the shoe to hold it and brushing with long sweeping strokes until it shone. I can still hear the thump of the brush against the shoe, the whisper of bristles across its polished surface. Then he folded the newspaper and threw it away, carried the box and gleaming shoes back to where they belonged.

I remember my mother preparing to iron, sprinkling clothes with water from a Coke bottle fitted with a metal-capped cork, its rounded surface filled with holes like a salt shaker. There was the muted sparkle and splash of water inside the glass bottle and the dark spots of moisture on cotton. She rolled up the clothes for the dampness to permeate, with an extra sprinkle over the bundle for good measure. With its hiss and rising steam, the transformation of rumpled fabrics into crisp, clean, finished laundry, ironing didn’t look like a chore. It looked like an important part of the week.

As I didn’t have responsibility for doing them, those tasks never appeared to be a burden. Instead they seemed special, meriting the time set aside for them. To a child fascinated by its particular tools, the job was clearly important. It offered elements perhaps of pleasure, but at the very least of satisfaction. I liked ironing handkerchiefs and helping to brush shoes.

I don’t know if my mother and father brought the same attention to their tasks that I brought to watching them. I was free to do something else if I grew bored, while they had to see the job through. And having raised a family myself now, I’m sure they had other things on their mind. Perhaps it’s easier to be mindful about someone else’s work.

Nonetheless, I think that how they went about their work taught me something of value. Ritual creates space around something important. When we turn the pages of a magazine, a few words on a large field of white rivets our attention. In the same way, we can put focus on the most important aspects of our lives by giving them breathing room. We add meaning to our lives when we notice what they contain. We elevate our work when we set it apart through the simple rituals that center us in the moment and ground us in our lives.

What are the tasks that give you satisfaction? Are they enhanced by a ritual of some kind?

The Restorative Power of Deep Attention

This week I watched “Rivers and Tides,” a wonderful film directed by Thomas Riedelsheimer, about the art of Andy Goldsworthy. Goldsworthy works outdoors, often in the Scottish countryside where he lives. He uses elements from the natural world—leaves, stones, moss, bracken, ice—in surprising ways to create beautiful and powerful forms.

Andy Goldsworthy's Rivers & Tides

Much of his work endures only for a few hours, or even minutes, undone by elements as natural as the materials he uses. He brings to his work the expectation that it will soon yield to water, heat, gravity, wind, growth, decay, and time, incorporating nature’s claim on his creations into the viewer’s experience of the art. His ephemeral art, made of elements yielded by that particular place, are offered back to the landscape. Nature reclaims the elements of his work and once again changes their form. He says of a serpentine line of ice, made from icicle fragments and glowing gold in the rising sun, “The very thing that brings the work to life is the thing that will cause its death,” as the sculpture begins to melt.

In one sequence (you can view a clip here) he uses bleached driftwood to build a beautiful, domed structure with a perfectly round hole in the top, like the oculus of the Pantheon in Rome. He constructs it at a place where river and sea meet, the lines of the rounded walls echoing the swirling motion of the water next to it. As the tide comes in, the water washes up around the dome and lifts a few of the logs at its base. They separate from the structure, encircling it and becoming part of the circular flow mirrored by the lines of the dome. As it yields to the water, the dome becomes an even clearer expression of the motion it is made to suggest.

As Goldsworthy says in the film, “It doesn’t feel at all like destruction.” Eventually it is carried away by that very motion and incorporated into a flow it could only emulate when it was intact. He could be speaking of this circular structure later in the film when he says of another piece, “The sea has taken the work and made more of it than I ever could have hoped.”

Watching this film, I could feel my heartbeat slow, my breathing deepen, my muscles relax. When it ended, I felt the kind of inner quiet and spaciousness that comes after prayer or meditation. A sense of reverence infuses the film. It evokes a sense of wonder and of awe.

Goldsworthy’s rooted presence in the natural world, and his ability to convey it through his work and his words, are a rare gift. He brings deep attention to growth and change in nature, to the details of creation. He knows the characteristics of rocks and leaves, the path of the river, the ebb and flow of the tide. He seems to be exploring how to live in relationship with the overwhelming power of the natural world, finding ways to meet it with his own power as an artist, and working to know the world around him and his place in it.

His work is a reminder that we are part of a miraculous creation, in its enormity and power as well as its specificity and detail. Living with the kind of attention he brings helps us to be present for moments of divine clarity, when life on this earth shimmers with the presence of a reality beyond the one we can know.

What helps foster a sense of reverence in your life?

Working with Stones

I’m fascinated by the limestone fences that line the Central Kentucky landscape. Constructed without mortar by skilled builders, many of whom were itinerant Irish and Scottish masons, they can endure for centuries. The Dry Stone Masonry Conservancy teaches this almost-lost art to local masons, preserving and spreading the knowledge that allows the old rock fences to be repaired and maintained in the original way, as well as new ones built.

To study a section of stone fence is to appreciate the depth of attention brought to the work. Rough and irregular stones are layered without gaps, as if each settled naturally into its place according to its nature. Even the smallest stone is an integral part of the whole, filling a space that would otherwise weaken the structure. Made of limestone from the surrounding fields, the fences come from the land and fit easily into the landscape. They were built from the necessity of working with materials at hand. They belong.

Labor and skill are apparent in these old stone fences, but so is a sense of reverence for the world as it is. The builders worked with the nature of the stones, so that the textured unity of the fence is not imposed through conformity but coaxed from diversity. The strength and beauty of a rock wall comes from working with what is given, carefully determining the placement of each piece so that is part of a cohesive whole. Nothing is forced; every stone is different. Yet put together in the right way the stones yield a structure that is beautiful, cohesive, and strong. Each stone lends its strength to something that endures.

The building method works because the stones are different shapes. They don’t just sit side by side, they fit into each other. Scattered across the ground, the stones don’t look like building material. They’re just rocks. They suggest nothing of the potential seen by a mason. But placed by a master builder, they become part of something beautiful and enduring.

In the same way, it can be hard to see what the scattered parts of our lives add up to. Sometimes we lack the perspective on our selves, or on our communities, to see anything more than a rocky field. At those times it helps me to remember that I’m not the mason. In spite of everything I try to do and learn and accomplish and create, there is only so much improvement of myself or the world that I can bring about under my own power. But there is a master builder who has the vision to make something good of my life and its odd-shaped elements, and of this world and its rough-edged inhabitants. There is good work in progress.

What helps give you a builder’s perspective?

Return from a Dark Journey

I cannot imagine what the Chilean miners emerging from almost ten weeks trapped underground have been through, and it’s almost unbearable to try. But now they are returning to the world, one at a time, through a long narrow portal that they must travel alone. As some commentators have remarked, they are being reborn.

Alberto Segovia, brother of Dario Segovia, one of 33 miners trapped underground in a copper and gold mine, picks up a rosary as he prays outside the mine in Copiapo

The ingenuity and skill, the expertise and determination, the sheer will and powerful life force driving the rescue efforts are heroic. The images of that first rescue pod reaching the chamber deep underground where the miners waited are a visceral experience. The elemental symbolism in this amazing story holds the archetypal images of life itself, male and female, which have resonated throughout the ages.

Yet even with the images we see from underground, each miner emerges from a mystery. We see the opening of the rescue shaft leading from that dark chamber under the earth, and wonder at where he has been and what he has experienced. He steps out of the Fenix capsule to applause and warm embraces, returning to the life to which he belongs. But surely he is changed.

NASA’s experience in outer space has helped facilitate the care of the miners throughout their confinement, but theirs is an experience of inner space like nothing we’ve known before. The world watches anxiously as each returns, asking if it is possible for yet another man to have made the journey back from such an ordeal. We draw reassurance from every sign that they are intact—physically, mentally, emotionally, spiritually. And we want to share in some part of their journey, to learn from them.

What does it mean to be given life in this world, to be born or reborn? Saints and mystics have sought answers in different ways for centuries. Seekers on vision quests, walkabouts, or spiritual retreats continue to ask for understanding. These Chilean miners may not have sought to make a trek into the darkness within the earth and within themselves, but they have made the journey forced upon them. Reporters tell us that poetry and music, faith and love, have allowed them to endure and help them to sort out their experience.

One of the rescued miners, Mario Sepulveda, said of the experience that it wasn’t a matter of being tested by God, because that’s not how God works. But that life holds difficult experiences, of which this has been the most difficult for him. Yet he was glad it had happened to him, because of how he has been affected by it. “It was a time to make changes,” he said. “I was with God, and I was with the devil. And God won.” He said that it was God’s hand that he took, and that was how he made it through.

What are we learning from the journey we’re sharing with them?

Photo by Ivan Alvarado of Reuters http://www.msnbc.msn.com/id/38587487

The Wakefulness of Autumn

A couple of weeks ago Kentucky sweltered through a summer that had far overstayed its welcome, as a string of 90-plus degree days begun in August disregarded the beginning of fall entirely. Then last week everything changed: I put an extra blanket on the bed, huddled with a cup of tea against damp gray air and wondered how much longer we could get by without turning on the furnace. But now the warm, golden afternoons of the past few glorious days remind me of why October is my favorite month.

There is no lull of sameness to these days. When the world we move through shifts so dramatically, it claims our attention. A changing environment heightens awareness of what’s going on around us. Especially when the haze and humidity of late summer gives way to the bright blue skies of autumn, the shift in seasons is like waking up.

Fall is a gift—a powerful reminder to live wakefully. A lot is happening. I hear it from the raucous crows convening in the tops of the ash trees. I see it in the spiders looking for shelter indoors, the plants going to seed. I feel it in the new wind picking up.

The urgency of the transitions teaches us to notice. And to appreciate. The season’s end offers a sense of the great effort behind its growth. As the energy that infused blossom, fruit, and harvest withdraws, the withered vines mark with startling contrast a place where life has been. It also signals the necessary rest before a new cycle of growth will begin.

The force of life in a growing season is a marvel, and the efforts we make during our own periods of growth can be fairly miraculous, too. Often it is only at the completion of some phase of life that we can take a breath and see how much we’ve accomplished, even as we wonder how we managed to do it. In the thick of things we are rarely able to see how much is happening. Yet something within continues to strengthen us, helping us grow green and supple enough to rise and meet the next challenge, too.

I don’t know how much of the credit is ours for times of growth and moving forward. There are periods I can look back on with a sense of satisfaction at the hard work accomplished. But when I consider those times it’s also with a sense of awe at the life that has moved through me. I feel grateful to have served as a vessel for something good, and I hope it might happen again.

What are you noticing this fall?